Isn't is strange that two art-house movies come out at approximately the same time, made by directors who never craved mainstream fame and share significant similarities in plot? Well, this was exactly the case with Don't Come Knocking and Broken Flowers by Jim Jarmush. Both movies are about a man looking for a child he's never heard of before.
Then they diverge and we follow Sam Shepard's character, a mid-aged wannabe cowboy wasting his life away. In a slow pace he unravels the mysteries of his past and find more than he hoped for.
Don't Come Knocking is slow, but in this case it adds to the realism of the movie. And you get what you'd expect from Wim Wenders...
Then they diverge and we follow Sam Shepard's character, a mid-aged wannabe cowboy wasting his life away. In a slow pace he unravels the mysteries of his past and find more than he hoped for.
Don't Come Knocking is slow, but in this case it adds to the realism of the movie. And you get what you'd expect from Wim Wenders...