Before seeing the film, I knew absolutely nothing about it other than it was released in the 80s, and reflected the 'cinéma du look'- an 80s film movement. My first impressions were that style had been perhaps over-emphasised in order to smokescreen a less-than-intriguing plot, but later on I found the film to develop many relevant and pertinent themes, such as gender, social class, and national identity. Music played a significant part the film, and the director played around with both diegetic and non-diegetic music. I had heard Subway compared to Drive by an acquaintance, but I found few similarities myself other than the use of synthesised music, and in terms of camera use, several close-ups of characters' expressions to show emotions and the building of relationships. The film depicts the 'underground culture' of the metro, where Fred meets many colourful characters, many of whom do not serve the plot, but bring humour to the film. In terms of class, we see a distinct contrast between the bourgeoisie characters, and the habitants of the metro, with the character of Helena sliding from one to the other. Interestingly in terms of gender, the metro appears to be portrayed as a 'mans space', and Helena is later shown as a strong woman, who makes her own decisions. It is said that Luc Besson mixed genres for a playful effect and for reasons of style over cinematographic statement, and references to popular culture, such as the mention of Batman and Robin. The ending is rather ambiguous, we are left wondering the fate of Fred and what will happen regarding his relationship with Helena. Overall, despite a plot which is not strictly concrete or wholly intriguing, the film is enjoyable and aesthetically pleasing, with humour and romance which was pleasing to see.
