Warning,it will be hard to find this film so understand what you are looking for.This film was released in 2001 and runs but 90 minutes and was re-released in 2006 under the new title of "Solders of change"Both titles are somewhat misleading as the story is more then family love of art (the painting) or the Vietnam war(Soldiers of change).That looked over or otherwise missed gem of a unknown film. Perhaps it was my interest in Albert Coombs Barnes's art collection in Philly that led me to this film,again not really similar BUT there are connections in a layered way.Ah,Layers !!!!!This film has many and thats the thing and also maybe a turn off to the great masses.So now that we have 3 layers to draw on,let us begin. Told in flashback by a soldier in Vietnam we learn of a rich southern white family of the 50's era whose father collects artwork as a passion as he made a good life for himself in Newspapers and hiring blacks workers right as the civil rights movement is beginning.( Barnes in a round about way).He had only one son and his wife dies during a storm, in a car accident while the boy,NOW the soldier,was but a young boy. The "butler".a black man,is almost more of a father to the boy than his real father who is absorbed in work maybe because he has to be,or because he's alone after the wife's death. At any rate,the young lad meets the butlers young niece at a black church mass and well,a friendship grows through the next 10 or so years to a love affair.Through that period we see the civil rights violence with no holes bared truth,as the film had a very tame almost whimsy feel to that point.Then it gets a bit more dark as the boy is sent to West Point but is kicked out and then marries his brown sugar and then is drafted as his now wife is pregnant.Here we a few draft era errors like marriage,but they are so small and not labored that you can forgive them.Bottom line is the father has lost him through his own misguided fears and the boy is more principled than any rich kids YOU ever met.Still they do miss each other and wish they had a way to swallow their silly stupid pride and re-connect.Here's were a film error is also made.Film makers should NOT let a character tell a story in flashback unless they say its from the grave or you can tell it yourself early on.The boy you see never comes home or sees his young daughter other than through pictures. Still a forgivable point as his death does set in motion a interesting reconciliation from the grave.Yes I cried at the end. The story,for only the rich can make change without a full revolution and that is the legacy of our 1960's.The white middle class in the guise of the children, forced the change as the fires in the streets were beginning to be lit.Interracial love,a taboo,but a powerful tool like none seen before is the true catalyst of that period and this film may be somewhat awkward in trying to show this along with all the other layers on its plate ,but try it does. So finally why see this film?? Again my 3 layers.One,in this film,blacks will get the art collection finally and unlike in the Barnes true historic story where they messed it up and Philly controls it today.Two,the 60's war in Vietnam was EVERYBODYS war because of a draft,not just the very few who volunteer as in todays wars and finally a love story that ends tragically BUT in the noblest of way.Romance only a few ever attain. Must see,with tissues and wait,if you let the whimsy pass,you will cry.The cast,lesser knowns for the most part,but they do honor to the heavy ideals of this deep film.
Review of The Painting
