Based on a decade old play Time Out For Ginger which was a one set comedy in the living room of the house of the protagonist Carol family, Billie was considerably expanded with many new characters introduced and the story takes us all over the small town where Jim Backus is trying to unseat Billy DeWolfe as mayor.
Expanded I say, but hardly updated. You would absolutely never know there was a counterculture revolution of the Sixties going on in seeing this film. It could have been and maybe should have been made in the Fifties.
Patty Duke plays the title role and the film property is produced by John Ross who was her legal guardian and career Svengali at that point. He was taking Patty's American character from the Patty Duke Show on television and making her a track star as well.
A little bit of Annie Get Your Gun is also tossed into the mix as Duke who damages a lot of the male egos on the track team has some problems landing the boy of her dreams. Warren Berlinger initially gets some pointers from Duke and she helps him make the team. But later the male dominant ego gets the better of him.
Berlinger is way too old for his part and looks it. He was 28 when he was doing Billie. Robert Diamond late of Fury was also having trouble transitioning to teen roles. He was 22 and also looks it. Diamond plays another track team member and Billy DeWolfe's son. Patty was 18 doing this, but her small build makes her look younger.
There's a subplot involving Patty's older sister Susan Seaforth who is married to Ted Bessell, but hasn't broken the news to Backus and mother Jane Greer. Why escapes me, but Backus tries to fix her up with his campaign manager Dick Sargent, this being while Seaforth is a little bit married and a little bit pregnant.
Billie's secret of her success on the track field is that she has the 'beat'. A certain innate natural rhythm that star athletes have, we all have whether we know it or not. Find your beat and ratchet it up and you too can be a star. Bearing that in mind there is a whole lot dancing in Billie and the choreography was nicely done.
Billie is a nice film that was way out of step with the times when it was released.
Expanded I say, but hardly updated. You would absolutely never know there was a counterculture revolution of the Sixties going on in seeing this film. It could have been and maybe should have been made in the Fifties.
Patty Duke plays the title role and the film property is produced by John Ross who was her legal guardian and career Svengali at that point. He was taking Patty's American character from the Patty Duke Show on television and making her a track star as well.
A little bit of Annie Get Your Gun is also tossed into the mix as Duke who damages a lot of the male egos on the track team has some problems landing the boy of her dreams. Warren Berlinger initially gets some pointers from Duke and she helps him make the team. But later the male dominant ego gets the better of him.
Berlinger is way too old for his part and looks it. He was 28 when he was doing Billie. Robert Diamond late of Fury was also having trouble transitioning to teen roles. He was 22 and also looks it. Diamond plays another track team member and Billy DeWolfe's son. Patty was 18 doing this, but her small build makes her look younger.
There's a subplot involving Patty's older sister Susan Seaforth who is married to Ted Bessell, but hasn't broken the news to Backus and mother Jane Greer. Why escapes me, but Backus tries to fix her up with his campaign manager Dick Sargent, this being while Seaforth is a little bit married and a little bit pregnant.
Billie's secret of her success on the track field is that she has the 'beat'. A certain innate natural rhythm that star athletes have, we all have whether we know it or not. Find your beat and ratchet it up and you too can be a star. Bearing that in mind there is a whole lot dancing in Billie and the choreography was nicely done.
Billie is a nice film that was way out of step with the times when it was released.