8/10
The bright side of boredom
13 April 2012
Boredom. In a sense this film, based very faithfully on Fenoglio's book, is a philosophical study on life as a sequence of periods of boredom, shattered by sudden action. And WAR seems to depict this condition perfectly. Viewers seeking traditional war-movie gimmicks, beware. This film embarks on another, far more realistic, depiction of 'action'. It reminds us that true ethics in war (in this case the Partisan's Anti-Fascist cause), come with severe sacrifice. Hunger, fear, cold, and... boredom. The movie centers on 'Johnny'...partisan codename for our intellectual protagonist... and on the fellow fighters who come in and out of his personal sphere during the German occupation of northern Italy. Here, 'the enemy' is not only foreign, but (most bitterly) local; Italian. Much dialogue and voice-over is dedicated to Johnny's musings, doubts and convictions about the whole affair. It is an intellectual's movie.But that doesn't make it an élitist film. It stays by the side of the common man, straight to the end. And it doesn't shun sudden outbreaks of action. As a spectator I was constantly made to 'feel' the biting cold of the 'langhe' region where,(all the more realistically), the true events portrayed actually took place. Death appears in a burst of sudden gunfire amidst the bracken, and just as promptly all is calm and bucolic again. Chiesa's direction is dry, maybe a trifle stiff in interiors... but on the whole he is able to maintain the balance between literature and film which "Il Partigiano..." requires. All acting is very effective. On seeing Steven Soderbergh's approach to filming the two CHE GUEVARA films a couple of years back I was instantly convinced that THIS movie was viewed by Del Toro or Soderbergh first, and used as a guideline for how 'guerrilla' movies (as a pose to fully-fledged 'army movies') should be shot. It is no small achievement that this film has paved the way for a truly realistic approach to the 'existential' tangle of war, putting aside the flamboyant, adrenalistic, gung-ho style of the various 'Platoons' or 'Apocalypse Nows'. If you can find it...see it. And pore through it as you would a good book.
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