Review of Robin Hood

Robin Hood (1922)
4/10
Overlong, overacted, not Fairbanks's finest hour
26 February 2012
Douglas Fairbanks's Robin Hood starts with more than an hour of backstory, ponderously paced with heroes and villains alike hulking around in chain mail declaiming in mime that is way over the top. Sets and costumes are ludicrous (people would freeze to death in the main castle's great hall, which looks like it takes up a couple of sound stages and is virtually empty). Lady Marian trails looooong veils and trains, which it's a wonder she doesn't trip over. Wallace Beery is horribly miscast as King Richard; the actor playing Prince John, Sam de Grasse, is actually pretty good, though he too indulges in occasional broad mime. Douglas Fairbanks transforms from a galumphing knight who's afraid of women to a jumping bean when he removes the chain mail and becomes Robin Hood. The Robin Hood parts of the movie are few and far between; we get barely a nodding acquaintance with the usual cronies--Little John, Friar Tuck et al. Favorite absurdity: Robin Hood bouncing around, climbing down a castle wall holding a bag of gold between his teeth. Must be great teeth. There've been a lot of better Robin Hoods since this flatfooted film (Errol Flynn and Richard Greene to name my two reference points). Of minor historical interest only.
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