This sequel to At Midnight I'll Take Your Soul once again stars Coffin Joe as the devilish gravedigger. It starts off where the last film ended with our anti-hero found to still be alive, he is taken back to stand trial for his crimes and is found innocent despite the fact that he committed his misdeeds in public for all to see! Anyway he now seeks a woman to bear him a child. To achieve this he captures several girls and kills most of them. It may sound straightforward but really the story-line is most bizarre and senseless. But this is the world of Coffin Joe and nothing else can really be expected to be perfectly honest.
In my view this sequel is better than the original. There are several reasons for this. For one thing José Mojica Marins has developed as a film-maker. He seems to have a – slightly – higher budget and this is used to expand things a little with better set-pieces and a great scene where Coffin Joe descends into Hell. This sequence breaks the black and white presentation and is shown in psychedelic colours. Marins depiction of Hell is highly imaginative and surreal with much grotesquery and sadism. Additionally, the movie does seem to be paced better than the first instalment despite being twenty odd minutes longer. It's also a fair bit gorier and sleazier as well. Coffin Joe dispatches with several of his enemies in a bloody manner by axe, boulder and shoe-applied razors! He also treats a gaggle of women very badly indeed with extended scenes involving lots of big spiders crawling all over then and then a group of angry looking snakes fulfilling a similar end.
It's a wild concoction for sure. It may well be a very low budget film but Marins makes the most of what he's got. And he does, after all, remain the only true Brazilian horror director, so on that basis alone his work is fascinating in itself. Perhaps as a reaction to his country's religious beliefs Coffin Joe constantly rails against theocracy and is a committed atheist. This, alongside his unexpected love of children, is a most bizarre trait for a horror villain and provides an original subtext to proceedings. At Midnight I'll Possess Your Corpse is certainly a film for the attention of cult film fanatics that's for sure.
In my view this sequel is better than the original. There are several reasons for this. For one thing José Mojica Marins has developed as a film-maker. He seems to have a – slightly – higher budget and this is used to expand things a little with better set-pieces and a great scene where Coffin Joe descends into Hell. This sequence breaks the black and white presentation and is shown in psychedelic colours. Marins depiction of Hell is highly imaginative and surreal with much grotesquery and sadism. Additionally, the movie does seem to be paced better than the first instalment despite being twenty odd minutes longer. It's also a fair bit gorier and sleazier as well. Coffin Joe dispatches with several of his enemies in a bloody manner by axe, boulder and shoe-applied razors! He also treats a gaggle of women very badly indeed with extended scenes involving lots of big spiders crawling all over then and then a group of angry looking snakes fulfilling a similar end.
It's a wild concoction for sure. It may well be a very low budget film but Marins makes the most of what he's got. And he does, after all, remain the only true Brazilian horror director, so on that basis alone his work is fascinating in itself. Perhaps as a reaction to his country's religious beliefs Coffin Joe constantly rails against theocracy and is a committed atheist. This, alongside his unexpected love of children, is a most bizarre trait for a horror villain and provides an original subtext to proceedings. At Midnight I'll Possess Your Corpse is certainly a film for the attention of cult film fanatics that's for sure.