A raucous take on your typical indie coming-of-age film, "Hesher" paints a portrait of grief and coping with adversity using a diverse palette of humor, sadness, rage, depression and raunch. Certain types will find a good degree of truth to writer/director Spencer Susser's tonal chaos, while others will raise eyebrows, but a part of "Hesher" will resonate with everyone.
Devin Brochu stars as T.J., who from the opening scene makes it clear he's trying to get himself killed at some point during the film. He's a bit reckless, and as it turns out he and his father (Rainn Wilson) are grieving for his mother, who died just a couple months before.
T.J's troubles lead him to an unfortunate encounter with a probably homeless chain-smoking metal rocker later to be introduced as Hesher (Joseph Gordon-Levitt, who needless to say plays delightfully against type here.) Turns out that Hesher is about 10 times as reckless as T.J. and in a more brutal and calculating way. He follows T.J. to school, which scares the crap out of him, yet we can only assume it is Hesher who draws indecent images in permanent marker on the car of an older student bullying T.J.
Eventually, Hesher comes over uninvited and unannounced to T.J's grandmother's house, where T.J and his father are staying. He inserts himself aggressively yet peacefully into their home and becomes their guest over time, developing a friendship with the grandmother and taking a sort of tough-love mentorship of T.J.
We are to presume that the senility of the grandmother and the lifeless apathy of the pill- popping father lead to a casual acceptance of Hesher's newfound presence in their home. It's a significant leap, but Susser and his co-writers are much more preoccupied with creating this unlikely relationship between T.J. and Hesher that logistics take a back seat. Fortunately, the blunt humor spouted off by Hesher, who communicates almost exclusively in sexual metaphors, helps mask the plot's illogical backbone.
Although never explicitly stated, it becomes obvious that Hesher wishes to teach T.J. how to stick up for himself, and more importantly how not to fear the consequences. This, of course, is not the world view of an kid in his early teens, and it leads to several emotional whirlwinds for T.J. as he starts to come of age.
The script treats T.J. like an adult despite not being one: he curses regularly (which gets worse with Hesher around), he makes friends with people twice his age such as the grocery clerk at the local store (Natalie Portman) and in general he deals with things kids his age would rather not deal with. It's a bit ridiculous, but it does make for an interesting dynamic between him and Hesher.
At its core, "Hesher" is about dealing with "the ____ that happens to you," which begins to explain why in some scenes it's just Hesher breaking stuff, or T.J. breaking stuff, or conversely a slow and quiet dramatic and emotional scene such as when T.J. and his dad go to a grief support group. Each character handles it differently, and Hesher's purpose in the story is to shake up the way T.J and his father have handled with it so far with regards to the death of the mother.
Susser definitely punches home this message, but it comes through the thick clouds of X- rated humor and with scenes strung together without any cohesive tone. The heavy metal indie image that the film wants to give off doesn't necessarily gel with everything it wants to say. Certain moments are laugh-out-loud hysterical, while others are moving. Then some just feel weird. It's definitely a film that will connect with its audience, but its wired in an awkward way that will likely turn off some viewers.
~Steven C
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Devin Brochu stars as T.J., who from the opening scene makes it clear he's trying to get himself killed at some point during the film. He's a bit reckless, and as it turns out he and his father (Rainn Wilson) are grieving for his mother, who died just a couple months before.
T.J's troubles lead him to an unfortunate encounter with a probably homeless chain-smoking metal rocker later to be introduced as Hesher (Joseph Gordon-Levitt, who needless to say plays delightfully against type here.) Turns out that Hesher is about 10 times as reckless as T.J. and in a more brutal and calculating way. He follows T.J. to school, which scares the crap out of him, yet we can only assume it is Hesher who draws indecent images in permanent marker on the car of an older student bullying T.J.
Eventually, Hesher comes over uninvited and unannounced to T.J's grandmother's house, where T.J and his father are staying. He inserts himself aggressively yet peacefully into their home and becomes their guest over time, developing a friendship with the grandmother and taking a sort of tough-love mentorship of T.J.
We are to presume that the senility of the grandmother and the lifeless apathy of the pill- popping father lead to a casual acceptance of Hesher's newfound presence in their home. It's a significant leap, but Susser and his co-writers are much more preoccupied with creating this unlikely relationship between T.J. and Hesher that logistics take a back seat. Fortunately, the blunt humor spouted off by Hesher, who communicates almost exclusively in sexual metaphors, helps mask the plot's illogical backbone.
Although never explicitly stated, it becomes obvious that Hesher wishes to teach T.J. how to stick up for himself, and more importantly how not to fear the consequences. This, of course, is not the world view of an kid in his early teens, and it leads to several emotional whirlwinds for T.J. as he starts to come of age.
The script treats T.J. like an adult despite not being one: he curses regularly (which gets worse with Hesher around), he makes friends with people twice his age such as the grocery clerk at the local store (Natalie Portman) and in general he deals with things kids his age would rather not deal with. It's a bit ridiculous, but it does make for an interesting dynamic between him and Hesher.
At its core, "Hesher" is about dealing with "the ____ that happens to you," which begins to explain why in some scenes it's just Hesher breaking stuff, or T.J. breaking stuff, or conversely a slow and quiet dramatic and emotional scene such as when T.J. and his dad go to a grief support group. Each character handles it differently, and Hesher's purpose in the story is to shake up the way T.J and his father have handled with it so far with regards to the death of the mother.
Susser definitely punches home this message, but it comes through the thick clouds of X- rated humor and with scenes strung together without any cohesive tone. The heavy metal indie image that the film wants to give off doesn't necessarily gel with everything it wants to say. Certain moments are laugh-out-loud hysterical, while others are moving. Then some just feel weird. It's definitely a film that will connect with its audience, but its wired in an awkward way that will likely turn off some viewers.
~Steven C
Thanks for reading! Please visit my site moviemusereviews.com