A truck driver hauling lumber from the forests of Paraguay to the markets in Buenos Aires is required by his boss to take a woman and her child with him. He is none too pleased, but as they travel on the mysterious 'something' happens. Not much of a story-line on the face of it, but as we journey with them we see the gradual, almost imperceptible, emergence of bonds of affection that could be turning to love.
The tale is told with very little dialogue, few settings (for most of the time we are in the truck cab) and no music. But the effect is enthralling. The acting is uniformly strong; you never doubt that you are watching 'real' people.
Of particular note is that of the three leading actors, the one who puts in the most remarkable of the excellent performances is the infant (played by Nayra Calle Namani, who could not be more than a year old). I would love to know how the director and the adult actors managed to coax this child into behaving as it does. It's magic!
This movie has a simplicity and honesty that is very moving. The faces say so much without words, so unlike the theatrical, fake emotions displayed in the previous movie I saw, The Deep Blue Sea. The images stayed with me well after I had left the theatre.
(Viewed at Screen 3, The Cornerhouse, Manchester, UK 04.12.11)
The tale is told with very little dialogue, few settings (for most of the time we are in the truck cab) and no music. But the effect is enthralling. The acting is uniformly strong; you never doubt that you are watching 'real' people.
Of particular note is that of the three leading actors, the one who puts in the most remarkable of the excellent performances is the infant (played by Nayra Calle Namani, who could not be more than a year old). I would love to know how the director and the adult actors managed to coax this child into behaving as it does. It's magic!
This movie has a simplicity and honesty that is very moving. The faces say so much without words, so unlike the theatrical, fake emotions displayed in the previous movie I saw, The Deep Blue Sea. The images stayed with me well after I had left the theatre.
(Viewed at Screen 3, The Cornerhouse, Manchester, UK 04.12.11)