The Stool Pigeon is a tense Hong Kong crime thriller from one of Asia's most prolific crime thriller directors, Dante Lam. While the film follows many familiar tropes of detective films, such as the good natured criminal, and the detective determined to succeed at all costs, there is a persistent visual style and a well developed set up for the excellent action sequences. It is quite gratifying to see a film that isn't just about a bank robbery, but real character growth, especially in Hong Kong cinema, which as of late has been clearly out shined by South Korea. The story follows Police Detective Don Lee (Nick Cheung) and his work with a recently paroled gang informant who is out to save his sister from a life of prostitution because of a debt owed by their father. Lee is the experienced detective who throughout his career has needed to investigate, track and convince informants to help with a case, but the problem is that he's had trouble protecting these informants and has conflicts with senior management. Ghost Junior (Nicholas Tse) proves his skills early on, in a cool sprint race through the streets of HK, and is soon recruited to work with a major Robbery suspect known as Barbarian. The racing scenes are handled with a lot of flair and sufficiently loud sound design. The soundtrack works well, as the jazz mixes with the suspense soundtrack to bring heightened tension to the deceptive game these cops and criminals play. In a lot of ways it reminded me of Michael Mann's Heat (1995), though Stool Pigeon had a faster pace and it's attention to detail was not nearly as well developed. Hiccups such as Don Lee's forgetful wife subplot were a little silly.
With much less emphasis on CGI effects the action is visceral and shocking. It is certainly not the type of 'PG' American experience we've become accustomed to, whereby explosions and slow motion action has overblown any subtlety of realism. There are machete wielding gang members and they do take revenge. While this is not a film about happy endings, it finishes with an effective and satisfying conclusion. The Stool Pigeon is a rewarding experience, with cinematography capturing the streets of Hong Kong in an often beautiful and slow boiling state, but the action choreography and character clashes keep it tight and exciting through to the end. Nominated for best film at last year's Hong Kong Film Awards, The Stool Pigeon proves that the Asian resurgence will continue. It's not just China and South Korea who are raising expectations.
With much less emphasis on CGI effects the action is visceral and shocking. It is certainly not the type of 'PG' American experience we've become accustomed to, whereby explosions and slow motion action has overblown any subtlety of realism. There are machete wielding gang members and they do take revenge. While this is not a film about happy endings, it finishes with an effective and satisfying conclusion. The Stool Pigeon is a rewarding experience, with cinematography capturing the streets of Hong Kong in an often beautiful and slow boiling state, but the action choreography and character clashes keep it tight and exciting through to the end. Nominated for best film at last year's Hong Kong Film Awards, The Stool Pigeon proves that the Asian resurgence will continue. It's not just China and South Korea who are raising expectations.