With The Taint, it seems clear that Drew Bodluc has conquered the explodingpenisploitation genre. Though clearly inspired by Troma's brand of humor, Bodluc captures a tone that is at different times wacky, emotional, exciting, and above all fresh. With performances that can only be described as "special," the film weaves an interesting story of misogyny gone amok. After a taint in the water turns every man into raving woman killers, Phil O'Ginny (Bodluc) faces the world women being dismembered and killed in a number of ways. The main attraction here, though, is the music. With songs that sound ripped straight out of an Italian slasher movie, The Taint's action scenes are just so joyful to watch. If there was ever a rhythm to penises exploding, Bodluc has found it.
It's interesting that this film was made for such a low budget, because it has a very polished feel. Gore effects are gooey, the cinematography has a very cool feel, and the music, again, is phenomenal. Many horror movies these days resort to using the "grindhouse" approach and simply mining the supposed "wackiness" of the films of the 1980s. The Taint, though, proves that there's still originality left in the penis explosion genre.
It's interesting that this film was made for such a low budget, because it has a very polished feel. Gore effects are gooey, the cinematography has a very cool feel, and the music, again, is phenomenal. Many horror movies these days resort to using the "grindhouse" approach and simply mining the supposed "wackiness" of the films of the 1980s. The Taint, though, proves that there's still originality left in the penis explosion genre.