Destiny (1944)
3/10
Dust be it's Destiny. And a defense of Deanna.
12 August 2011
Warning: Spoilers
Is Cliff a sympathetic figure or a monster? A wronged man, looking for redemption and something to believe in? An idiotic weakling who lets himself be led astray? A calculating criminal mastermind plotting the murder of innocent people who have only been kind to him? These questions might intrigue you, but don't be fooled. These questions come up because of bad writing, that's all. It's no wonder the protagonist is written inconsistently (not even taking into account the scene where it turns out he's dreaming) with new scenes being shot around footage cut from another movie - as other reviews have explained - "Destiny" has an interesting history - more interesting than the story the movie actually tells, about a cynical ex-con, constantly being duped and drawn into crimes. The dumb schmuck even drives a known robber to a bank, and waits for him to finish what he foolishly believes is an innocent transaction - this after the guy already got him into trouble with the law and sent to jail. Naturally he's just using Cliff again, as a getaway. Hard to have sympathy for someone so stupid. The opening police chase reminds me of an Ed Wood movie. It certainly looks low-budget. Most of the actors are Ed Wood-calibre as well. Alan Curtis seems to be attempting a Chester Morris impression, which only makes me want to re-watch some of Chester's great gangster movies.

I suspect the writer or director of "Destiny" was influenced by Disney's "Snow White & The Seven Dwarfs". I'm thinking of the best sequence in "Destiny", wherein Cliff (after killing her father with a hunting rifle) chases Jane, and her apparent power of nature causes the trees to aid her by entangling him and delaying his pursuit. This is reminiscent of Snow White running in panic through the forest after the Huntsman tries to kill her, and she imagines that the trees come alive to attack and thwart her escape. The villain (Cliff) even falls into deadly water during a raging storm, similar to the demise of the Wicked Queen from "Snow White". Jane is quite like Snow White, both being incredibly innocent and good. Birds even land on Jane's shoulder. And she sings operatic arias while she works!

I'd like to respond to a few things in Tom Barrister's IMDb review. Although I agree with him that Gloria Jean gives a fine performance (making the best of a super-saccharine role as a cheerful blind girl who communes with nature and prays a lot) and the tacked on footage brings down the quality of the film, I question his conclusion that Deanna Durbin is responsible. According to his review, "Years later, it was stated that an unnamed major Universal stockholder wanted Gloria's sequence cut from Flesh and Fantasy" - and I ask, it was stated by *whom*? He also claims Deanna "was jealous of anybody else who cut into her fame." This seems like a baseless generalization. What are his sources? How on earth can he possibly know this about Deanna? Especially considering how reclusive she's been since retiring, rarely giving interviews. I respect her desire for privacy, so refreshing in this age of obsession with celebrity. I don't see how anyone can come to decisive conclusions about her character or state of mind, when Deanna's such a mysterious figure. However, I'd conclude that she cares little about fame, since she willingly left it behind.

I admit, as a fan of Deanna's talent and on-screen charm, I don't want to believe her capable of viciously sabotaging anyone's career. But I also have a hard time believing she could, even if she wanted to. One thing that *is* well-documented about Deanna Durbin, is her frustration with Universal typecasting and giving her poor-quality (in her opinion) scripts. That's why she retired so early, while still a major box-office attraction. The one interview she's done since then, discusses her desire for script approval, which she couldn't get, despite making tons of money for Universal. But this was a common complaint in those days when the studios pretty much owned the stars under contract. Bette Davis, Olivia de Havilland, Tyrone Power, etc, bemoaned the movies they were forced to do. Even Oscar noms/wins were no guarantee an actor would receive better material next time. So I find it improbable, this accusation that Deanna Durbin had the power to dictate the quality of Gloria Jean's scripts, when she was powerless over her own, and quit for that very reason. This alleged jealousy of anyone she might perceive as a threat to her fame, seems unlikely coming from someone who chose to give up the spotlight while still in her prime, and who gives no indication that she wants to change her current obscure status. From what I can tell, Deanna values integrity, privacy and her family, over the pursuit of fame.

Why was Gloria Jean's segment cut from "Flesh & Fantasy"? My personal theory is that preview audiences or studio execs found it too bleak & frightening as it originally was. What with the attempted sexual assault and murderous chase of a sweet innocent blind girl, the murder of her father, and a total lack of redemption for the criminal. I can see how it might be an awkward segue into the happier segment that was to follow. Although Edward G. Robinson's segment in "F&F" also deals with murder, the tone is more black comedy, and it's just not as upsetting as watching poor Gloria's character terrorized in "Destiny". In the classic era, many movies with downbeat endings were re-shot due to audience reaction. It seems plausible that altering it in order to soften Cliff's character, make the worst of his actions only a dream, and contrive a happy ending, required a full-length film. It's too bad they didn't spend more time or money on the new footage, but Universal could be cheap. Deliberate sabotage or incompetence/carelessness on the studio's part? Guess we'll never know for sure.
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