To be fair, the director set himself up with a task that was going to undermine him. This is the story of a severely bottled-up individual who has a history of rage and violence, who has separated himself from larger society both because he can't trust himself and they know they can't trust him either. But to play such a character means going inward so much that it doesn't give the viewer a whole lot to look at. There are long stretches of this short movie where we see the protagonist simply frozen with his own torment.
The standout performance here is by Jill Hennessey, who conveys such resentment and antipathy toward the protagonist that it practically jumps off the screen. Every frame she's in the movie becomes compelling. If there had been more done with the back story between these two it might have made for a more interesting story.
Regarding the music - this kind of new-gospel is not to my taste, but even if it were, the fact that it's amped-up so loud compared to the rest of the film, where the characters barely speak above a whisper, is completely off-putting. What is supposed to add emotional and spiritual impact ends up just sounding bombastic. I felt aurally mugged.
The standout performance here is by Jill Hennessey, who conveys such resentment and antipathy toward the protagonist that it practically jumps off the screen. Every frame she's in the movie becomes compelling. If there had been more done with the back story between these two it might have made for a more interesting story.
Regarding the music - this kind of new-gospel is not to my taste, but even if it were, the fact that it's amped-up so loud compared to the rest of the film, where the characters barely speak above a whisper, is completely off-putting. What is supposed to add emotional and spiritual impact ends up just sounding bombastic. I felt aurally mugged.