Run for Cover (1955)
The first reason to see this is the simple fact it's a Nicholas Ray movie. Ray didn't direct many movies, but among those few are some of the best--or at least my favorites--in the whole history of Hollywood. "They Live by Night" and "In a Lonely Place" are moving and interesting masterpieces, and "Johnny Guitar" is completely bizarre and original and a wild ride. Only slightly less interesting to me but more iconic is "Rebel without a Cause," made the same year as this one.
"Run for Cover" is an awkward fit, a Western by a director of mostly urban dramas. James Cagney isn't really cast wrong, per se, because he's presented as an outsider in this typical rough frontier town, but he comes off a little superficial, using his razor fast approach as an end rather than a means. And I think this is because the story is weak. It sounds good on paper, but it unfolds a little obviously, with some filler and some seemingly requisite but boring views of beautiful landscapes. There are gunfights, a run-in with Indians, and deception. It's a story without emotional subtlety and Ray is best a peeling back layers in human interaction, not just showing the action.
Even the interesting Viveca Lindfors (who originally led me to the movie after seeing her in "Backfire," is oddly stiff, doubly odd because she's a Swedish immigrant playing a Swedish immigrant. You get the feeling she was never a poor farmer back home.
I don't mean to pile on criticisms, but it's worth saying that the direction isn't good, either. The filming is dull, there are a couple of odd moments like when a big log suddenly appears in the river to save someone, and sometimes the cuts don't match one to the next. I'm guessing there's a deeper story to the awkwardness here, but all we have is the awkwardness.
Not that it's a disaster. I watched the whole thing, and the key theme of being honorable even when being misunderstood is good. And a really nasty deception (or plain old ingratitude) is pulled off right before our eyes, more than once.. The filming location seems to be Colorado rather than California or Arizona (as many Westerns are), and that gives it a different feel. And there is a short section (out of nowhere) shot in an ancient Indian ruin in New Mexico, with good atmospherics. Plug your ears to some of the overdone music, and let the plot ride off a little on its own and there's a good chance you'll like a lot of this movie.
The first reason to see this is the simple fact it's a Nicholas Ray movie. Ray didn't direct many movies, but among those few are some of the best--or at least my favorites--in the whole history of Hollywood. "They Live by Night" and "In a Lonely Place" are moving and interesting masterpieces, and "Johnny Guitar" is completely bizarre and original and a wild ride. Only slightly less interesting to me but more iconic is "Rebel without a Cause," made the same year as this one.
"Run for Cover" is an awkward fit, a Western by a director of mostly urban dramas. James Cagney isn't really cast wrong, per se, because he's presented as an outsider in this typical rough frontier town, but he comes off a little superficial, using his razor fast approach as an end rather than a means. And I think this is because the story is weak. It sounds good on paper, but it unfolds a little obviously, with some filler and some seemingly requisite but boring views of beautiful landscapes. There are gunfights, a run-in with Indians, and deception. It's a story without emotional subtlety and Ray is best a peeling back layers in human interaction, not just showing the action.
Even the interesting Viveca Lindfors (who originally led me to the movie after seeing her in "Backfire," is oddly stiff, doubly odd because she's a Swedish immigrant playing a Swedish immigrant. You get the feeling she was never a poor farmer back home.
I don't mean to pile on criticisms, but it's worth saying that the direction isn't good, either. The filming is dull, there are a couple of odd moments like when a big log suddenly appears in the river to save someone, and sometimes the cuts don't match one to the next. I'm guessing there's a deeper story to the awkwardness here, but all we have is the awkwardness.
Not that it's a disaster. I watched the whole thing, and the key theme of being honorable even when being misunderstood is good. And a really nasty deception (or plain old ingratitude) is pulled off right before our eyes, more than once.. The filming location seems to be Colorado rather than California or Arizona (as many Westerns are), and that gives it a different feel. And there is a short section (out of nowhere) shot in an ancient Indian ruin in New Mexico, with good atmospherics. Plug your ears to some of the overdone music, and let the plot ride off a little on its own and there's a good chance you'll like a lot of this movie.