Taking a glance at the cover in the video store, I almost arrogantly assumed it would be a terrible slasher flick, due to it's title and the lack of pictures, and also due to the fact that it went out of it's way to mention that Jackson Rathbone, "Star of the Twilight Saga", was in this film. I felt a little uncomfortable until I glanced a bit longer and noticed that it was "From the mind of Clive Barker". But alas, this is a review of it's content and not it's cover.
I'm glad I did pick it up however because it turned out to be a decent psychological thriller, more so than it was a horror film. The characters are convincing, in particular Quaid, the protagonist bad guy, who we feel isn't all right from the very beginning of the film. I feel as if I was led to question whether the motives of Quaid were inherently bad or environmental, due to a childhood of significant psychological torment. When an audience is opened up to the possibility of these influences, immediately it changes from a horror film to an intellectual psychological thriller, that borders existential exploration of the human psyche. I couldn't help but feel as if some scenes of the film kind of reminded me of Fight Club, as Quaid attempted to groom Stephen in to his mode of thinking, but unlike Fight Club, this was unsuccessful and we saw the further polarisation of the characters involved in the college project from Quaid.
All in all, Dread is a film which won't cater to your grisly, sleazy gore driven desires, mostly due to the fact that a lot of the gore is paced out through the film and used tactically in order to keep it relative to the conceptual element of the film, and also to keep the suspense. For those who enjoy psychological thrillers, college sociopathic sadists and existentially driven plots, will enjoy Dread. Fans of Clive Barker can rest assured that Anthony DiBlasi has effectively captured Clive Barker's depiction of the story and doesn't buck to the sleazy needs of Hollywood gore and torture-without-reason films (Saw) and manages to effectively convey the terror, torment and disorientation of Dread.
I'm glad I did pick it up however because it turned out to be a decent psychological thriller, more so than it was a horror film. The characters are convincing, in particular Quaid, the protagonist bad guy, who we feel isn't all right from the very beginning of the film. I feel as if I was led to question whether the motives of Quaid were inherently bad or environmental, due to a childhood of significant psychological torment. When an audience is opened up to the possibility of these influences, immediately it changes from a horror film to an intellectual psychological thriller, that borders existential exploration of the human psyche. I couldn't help but feel as if some scenes of the film kind of reminded me of Fight Club, as Quaid attempted to groom Stephen in to his mode of thinking, but unlike Fight Club, this was unsuccessful and we saw the further polarisation of the characters involved in the college project from Quaid.
All in all, Dread is a film which won't cater to your grisly, sleazy gore driven desires, mostly due to the fact that a lot of the gore is paced out through the film and used tactically in order to keep it relative to the conceptual element of the film, and also to keep the suspense. For those who enjoy psychological thrillers, college sociopathic sadists and existentially driven plots, will enjoy Dread. Fans of Clive Barker can rest assured that Anthony DiBlasi has effectively captured Clive Barker's depiction of the story and doesn't buck to the sleazy needs of Hollywood gore and torture-without-reason films (Saw) and manages to effectively convey the terror, torment and disorientation of Dread.