Venom (1981)
7/10
A predator even more deadly than Klaus Kinski
29 April 2011
Engaging tale of a band of thieves whose plan to take a child and his grandfather hostage in their plush London townhouse, to extort money from the child's wealthy mother, is short-circuited by a rampaging Black Mamba that's been mistakenly brought into the mix. Intriguing to see how the plan unravels as the inimitable Klaus Kinski and his accomplices fall prey one by one to the elusive predator, its venom more deadly than any other species of snake. Cornered by the law on the outside, and the aggressive asp from within, they must adapt and improvise to affect a miraculous escape, no longer concerned with money, but basic survival.

Taut little suspense-thriller enabled by a strong cast, decent dialogue and well-paced direction. Kinski as the main protagonist is chilling, and he's well supported in Oliver Reed as the boozy henchman and Susan George as an unlikely (and unlucky) accomplice. Also noteworthy is Nicol Williamson as the dedicated police inspector who finds himself at the helm of a tense stand-off between the bandits, their captures and the unpredictable rogue reptile. While Sterling Hayden's characterisation of an aging ex game hunter is somewhat vague and incidental to the plot, it does add another dimension to the proceedings that stirs the curiosity and colours the complexity of an otherwise straightforward yarn.

Effective use of sets, lighting, music and tight editing nicely complement the occasional sadistic and surprisingly graphic violence. The snake itself, sometimes portrayed by a replica, is also well staged and looks convincingly hostile. Understated and somewhat obscure considering its impressive credits (Tobe Hooper was also linked with the film early on, but parted ways with the project), "Venom" is a compelling hostage thriller, cleverly bolstered by an unorthodox twist, and is well worth the time.
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