In true Troma style, Drew Bolduc and Dan Nelson's The Taint introduces us to a post-apocalyptic world full of "incredibly strange (misogynists) who stopped living and became mixed-up zombies" and, to be sure, plenty of penis explosions, gender conflicts, and ludicrous violence abound. However, most shocking perhaps, is that the Troma brand is nowhere to be found. That's right, Bolduc has gone completely underground with this little gem of germ warfare and it's been causing quite the ripple effect on horror websites all across the 'net.
If that tidbit wasn't enough to sway your interest, then perhaps the knowledge that Bolduc accomplished this feat "outside of the studio system (and) with very little money" thanks in part to his local art community and students from VCU can convince you this is one indie head trip worth visiting. Oh, and did I mention that Bolduc plays the starring role of Phil O'Ginny who is equal parts McLovin from Superbad and Johnny Rotten from Sex Pistols? Well he does AND it features a soundtrack that could have come from an 80s New Wave music video.
The plot, while simple enough- the world's water supply has been tainted, causing men to revert to cavemen-style bouts of rage-fueled ejaculations, it doesn't leave much room to catch up as it kicks right off with O'Ginny on the run from some slack-jawed hillbilly with a scythe who proceeds to toss around a severed penis before dropping a nasty deuce in his long johns. This leads to a rather creative use of stock video footage during the opening credits to explain how the world caught "the taint." Again, I cannot emphasis enough here just how much the music added to the film with a catchy, synthesized beat that perfectly captures the mood of the film like very few other independent films have.
O'Ginny is actually an interesting and multi-faceted character, between the constant switching of sunglasses and his propensity for being at the wrong place at the wrong time, though he certainly doesn't carry the entire film alone. He's aided primarily by Misandra,played by Colleen Walsh, who is on a quest of vengeance to "kill all men" after she was forced to cave in her husband's skull before removing and fondling his brain.
In fact, there's an entire gamut of bodily functions on display during the film courtesy of Chris Bolduc, Billy Davis, and Dan Nelson on special effects. From spewing penis explosions to gloriously metaphor-laden head smashing, The Taint pulls absolutely no punches and is relentlessly non-apologetic for the carnage that unfolds (though the bents of dark humor throughout offer some reprieve form the discomfort). There's also the flaying of skin, splitting of heads, eye-gouging, and ample references to A Clockwork Orange.
Certainly a film that requires multiple viewings to fully understand, The Taint is a fusion of David Lynch's art house sensibility with Troma's campy, cartoon violence and storytelling and although you're welcome to watch it alone it's definitely more fun with a group of friends and lots of beer.
If that tidbit wasn't enough to sway your interest, then perhaps the knowledge that Bolduc accomplished this feat "outside of the studio system (and) with very little money" thanks in part to his local art community and students from VCU can convince you this is one indie head trip worth visiting. Oh, and did I mention that Bolduc plays the starring role of Phil O'Ginny who is equal parts McLovin from Superbad and Johnny Rotten from Sex Pistols? Well he does AND it features a soundtrack that could have come from an 80s New Wave music video.
The plot, while simple enough- the world's water supply has been tainted, causing men to revert to cavemen-style bouts of rage-fueled ejaculations, it doesn't leave much room to catch up as it kicks right off with O'Ginny on the run from some slack-jawed hillbilly with a scythe who proceeds to toss around a severed penis before dropping a nasty deuce in his long johns. This leads to a rather creative use of stock video footage during the opening credits to explain how the world caught "the taint." Again, I cannot emphasis enough here just how much the music added to the film with a catchy, synthesized beat that perfectly captures the mood of the film like very few other independent films have.
O'Ginny is actually an interesting and multi-faceted character, between the constant switching of sunglasses and his propensity for being at the wrong place at the wrong time, though he certainly doesn't carry the entire film alone. He's aided primarily by Misandra,played by Colleen Walsh, who is on a quest of vengeance to "kill all men" after she was forced to cave in her husband's skull before removing and fondling his brain.
In fact, there's an entire gamut of bodily functions on display during the film courtesy of Chris Bolduc, Billy Davis, and Dan Nelson on special effects. From spewing penis explosions to gloriously metaphor-laden head smashing, The Taint pulls absolutely no punches and is relentlessly non-apologetic for the carnage that unfolds (though the bents of dark humor throughout offer some reprieve form the discomfort). There's also the flaying of skin, splitting of heads, eye-gouging, and ample references to A Clockwork Orange.
Certainly a film that requires multiple viewings to fully understand, The Taint is a fusion of David Lynch's art house sensibility with Troma's campy, cartoon violence and storytelling and although you're welcome to watch it alone it's definitely more fun with a group of friends and lots of beer.