It promises gritty, hard hitting pre-code earthiness and it almost delivers. Supposedly based on the story "Dance of the Millions" but, really, it is a re-working of Bayard Veiller's popular play "Within the Law". It had already been given the 4 star treatment at MGM as "Paid" (1930) with Joan Crawford. The link between the two movies is sweet Marie Prevost, who played a similar character in both - a ditsy cell mate who teams up with Mae/Joan when they are paroled. Poor Marie spent almost as much time behind bars as Sylvia Sidney. "Everything I do is on the level" to which Mae replies "Well, since you've been in prison - blackmail, larceny and extortion are now crimes"!!!
It is interesting, when you view Mae Clarke's performances, she has sincerity and honesty in every part she plays but she just couldn't make the leap to the A grade. Her films were excellent "Waterloo Bridge" and "Night World" etc but by 1933 her bid for stardom was over and "Parole Girl" was described as "bottom of the barrel". It certainly wasn't that!!! While it wasn't in the same league as MGM's "Paid" - it was a perfect vehicle for Mae.
Sylvia Day (Mae Clarke) is accused of picking a gentleman's pocket in a department store. She is dragged, humiliated in front of customers, to the manager's office, but it is all a misunderstanding. Then Sylvia goes into her award winning performance - she cries, she sobs and she walks out with a cheque for $500. But it is all a scam - she and the "gentleman", Tony (Hale Hamilton) are working together and while Sylvia is determined to go straight she is persuaded to do one last job. Of course they are caught and she comes up against a stony store manager, Joe Smith(Ralph Bellamy) who is not softened by her pleas for leniency. She is sent to prison for a year and after her release her only thought is to make Smith pay - and pay he does!!! After renewing his acquaintance (he doesn't know her), she gets him "cockeyed" and he wakes up next morning - married!!! Of course it is all bogus as Tony has performed the ceremony.
From now on a lot of the grittiness goes and is replaced by pre- code fun as Sylvia glides around in assorted negligees. Mae Clarke does sport an unattractive "butch" hairstyle and I am glad this seems to be the only film that she chose to wear it. There are a couple of glitches to their happiness. Tony is upset that Sylvia has thrown him over and plans to get even with her by slipping a counterfeit bill in her purse but Joe, unexpectedly, comes to her rescue and they really start to fall in love. Then Joe's wife appears - yes, he is already married and to none other than Jeannie (Marie Prevost) Sylvia's little pal from the big house. But everything is smoothed out and all under 70 minutes. After all this was in 1933 when they really knew how to make movies.
Highly Recommended.
It is interesting, when you view Mae Clarke's performances, she has sincerity and honesty in every part she plays but she just couldn't make the leap to the A grade. Her films were excellent "Waterloo Bridge" and "Night World" etc but by 1933 her bid for stardom was over and "Parole Girl" was described as "bottom of the barrel". It certainly wasn't that!!! While it wasn't in the same league as MGM's "Paid" - it was a perfect vehicle for Mae.
Sylvia Day (Mae Clarke) is accused of picking a gentleman's pocket in a department store. She is dragged, humiliated in front of customers, to the manager's office, but it is all a misunderstanding. Then Sylvia goes into her award winning performance - she cries, she sobs and she walks out with a cheque for $500. But it is all a scam - she and the "gentleman", Tony (Hale Hamilton) are working together and while Sylvia is determined to go straight she is persuaded to do one last job. Of course they are caught and she comes up against a stony store manager, Joe Smith(Ralph Bellamy) who is not softened by her pleas for leniency. She is sent to prison for a year and after her release her only thought is to make Smith pay - and pay he does!!! After renewing his acquaintance (he doesn't know her), she gets him "cockeyed" and he wakes up next morning - married!!! Of course it is all bogus as Tony has performed the ceremony.
From now on a lot of the grittiness goes and is replaced by pre- code fun as Sylvia glides around in assorted negligees. Mae Clarke does sport an unattractive "butch" hairstyle and I am glad this seems to be the only film that she chose to wear it. There are a couple of glitches to their happiness. Tony is upset that Sylvia has thrown him over and plans to get even with her by slipping a counterfeit bill in her purse but Joe, unexpectedly, comes to her rescue and they really start to fall in love. Then Joe's wife appears - yes, he is already married and to none other than Jeannie (Marie Prevost) Sylvia's little pal from the big house. But everything is smoothed out and all under 70 minutes. After all this was in 1933 when they really knew how to make movies.
Highly Recommended.