The Lost Son (1999)
7/10
The French P.I.
6 December 2010
Warning: Spoilers
Xavier Lombard, a Frenchman, has been living in London after his life was altered by the assassination of his wife and daughter in a horrible car explosion aimed to kill him, as well. He had gone mad, after the tragedy. He left France because he needed a change of pace. He is now a private detective. His old pal, Carlos De Moraes, a Brazilian former colleague, comes to him with a proposal. Xavier is asked by Carlos' wife Deborah Spitz, and her parents, to track down her brother who has mysteriously disappear from the face of the world.

The investigation takes Xavier to the missing man's girlfriend, Emily, who meets him with suspicion, aiming a shotgun at him. She has reasons for the hostility, she is caring for Shiva, a boy rescued by the missing man because he was being used for unscrupulous sexual purposes, leaving the boy speechless. Shiva can only mutter a name: "The Austrian" as the man that got him into sexual slavery. Xavier decides to consult with his friend, Nathalie, a French prostitute, because her contacts in the British underworld.

Nathalie puts Xavier in contact with what turned out to be a pedophile ring operating among London's elite. His investigation takes him deeply into the gang's territory, even going as far into Mexico to get to the root of how the children are taken away to be groomed for what they in turn will become. A lot of money is at stake. Xavier's finding will reveal who the real mastermind is, something that will stun him.

Chris Menges, a distinguished cinematographer himself, directs the film. Written by Marie and Eric Leclere with Mark Mills, this is a thriller adventure that holds the viewer's suspense because it is credible. The insidious work of pedophiles amazes Xavier, having suffered the loss of a daughter himself. The production was photographed by Barry Ackroyd, the Oscar winning cinematographer for "The Hurt Locker". The music score is by Boran Bregovic.

Daniel Auteuil, a wonderful French actor, shows courage accepting to appear as the star of this film. Even though his accent is a bit thick, he manages to portray the man at the center of the action. Not being associated with this type of genre, he does well in a film that takes him away from his usual roles in France. The late Katrin Cartlidge appears as Emily. Marianne Denicourt does an excellent Nathalie, and Natassja Kinski plays the grieving sister of the disappeared man. Ciaran Hinds makes the most of his Carlos De Moraes.
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