The movie centers on a Mexican revolutionary nicknamed Tepepa (a likable Tomas Milian) who joins forces an outlaw band during the Mexican revolutionary war by time of the president Madero (played by a Spaghetti usual secondary , Francisco Sanz) . The Mexican guerrilla leader Tepepa wielding his Mauser gun and his gang fight against colonel Cascorro (special appearance of Orson Welles). When illiterate Tepepa is about to be executed , there appears a serious and smooth-talking British doctor named Henry Price (the blond John Steiner) and saves him from a firing squad . Later on , starring duo , Milian-Steiner , undergo a strange relation of friendship and hatred . But someone prepares a relentless vendetta on a surprising final .
It's a magnificent western film with dazzling shootouts between the protagonists and the contenders . This film belongs to the numerous group that are set during the Mexican revolution , called ¨Zapata Western sub-genre¨ , like are the Italian ones : ¨ Duck you sucker¨ ,¨Compañeros¨ , ¨The mercenary ¨ and the Americans : ¨The wild bunch and ¨The professionals¨. ¨Tepepa¨ results to be the swan-song of this sub-genre . The picture blends violence , western action , plot twists and shoot'em up with high body-count . ¨Tepepa¨ is fast movement and that's why it is entertaining ; besides , there is thoughtful dialog with an intelligent writing by Franco Solinas , an author of communist ideology who wrote political screenplays such classics as ¨The battle of Argel¨ and ¨I'm the Revolution¨ , the latter bears remarkable resemblance on some issues to ¨Tepepa¨ . The Cuban Tomas Milian , as usual , puts faces , grimaces , crying and overacting , but he plays splendidly in a similar character to ¨Cuchillo¨ from the trilogy directed by Sergio Sollima . Tomas created his own image and propelled himself to stardom in likewise fashion with such important Spaghetti movies as The Bounty Killer (1966) , The Big Gundown (1967) with Lee Van Cleef , Face to Face (1967) , Django Kill! (1967) and Run, Man, Run (1968).
Enjoyable score by the great maestro composer Ennio Morricone who composed lots of Spaghetti Western scores , it contains a sensitive musical leitmotif . There are many fine technicians and nice assistants as the splendid cameraman Francisco Marin who makes an atmospheric photography , including barren outdoors , dirty landscapes under a glimmer sun , being shot , of course , on location in Almeria , Spain . However , being necessary and perfect remastering because of the original copy is worn-out . The motion picture was well directed by Giulio Petroni who filmed another classic Italian western as ¨Death rides a horse¨ , though also shot other inferior but acceptable Spaghettis as ¨Night of serpent¨ and ¨A sky full of stars for a roof¨. Rating : Above average S.W. , worthwhile seeing .
It's a magnificent western film with dazzling shootouts between the protagonists and the contenders . This film belongs to the numerous group that are set during the Mexican revolution , called ¨Zapata Western sub-genre¨ , like are the Italian ones : ¨ Duck you sucker¨ ,¨Compañeros¨ , ¨The mercenary ¨ and the Americans : ¨The wild bunch and ¨The professionals¨. ¨Tepepa¨ results to be the swan-song of this sub-genre . The picture blends violence , western action , plot twists and shoot'em up with high body-count . ¨Tepepa¨ is fast movement and that's why it is entertaining ; besides , there is thoughtful dialog with an intelligent writing by Franco Solinas , an author of communist ideology who wrote political screenplays such classics as ¨The battle of Argel¨ and ¨I'm the Revolution¨ , the latter bears remarkable resemblance on some issues to ¨Tepepa¨ . The Cuban Tomas Milian , as usual , puts faces , grimaces , crying and overacting , but he plays splendidly in a similar character to ¨Cuchillo¨ from the trilogy directed by Sergio Sollima . Tomas created his own image and propelled himself to stardom in likewise fashion with such important Spaghetti movies as The Bounty Killer (1966) , The Big Gundown (1967) with Lee Van Cleef , Face to Face (1967) , Django Kill! (1967) and Run, Man, Run (1968).
Enjoyable score by the great maestro composer Ennio Morricone who composed lots of Spaghetti Western scores , it contains a sensitive musical leitmotif . There are many fine technicians and nice assistants as the splendid cameraman Francisco Marin who makes an atmospheric photography , including barren outdoors , dirty landscapes under a glimmer sun , being shot , of course , on location in Almeria , Spain . However , being necessary and perfect remastering because of the original copy is worn-out . The motion picture was well directed by Giulio Petroni who filmed another classic Italian western as ¨Death rides a horse¨ , though also shot other inferior but acceptable Spaghettis as ¨Night of serpent¨ and ¨A sky full of stars for a roof¨. Rating : Above average S.W. , worthwhile seeing .