WARNING: SPOILERS
ON THE EDGE is an interesting piece about teenage depression and suicidal behavior. It begins when Jonathan (Cillian Murphy) loses his father to alcoholism. You don't understand Jonathan at all when you first meet him. He comes off as callous, self-centered and unlikeable until he grabs the urn with his father's ashes and decides to drive himself, in a stolen convertible, off a cliff. Is it an abrupt decision, spur of the moment, or is it something Jonathan has been contemplating for years? The only alternative to jail time is to participate in a residential suicide program in Dublin, run by Dr. Figure (Stephen Rea) so Jonathan agrees to it, though he doesn't believe anyone has answers or solutions for him. As you get to know him, you realize that Jonathan himself doesn't understand fully why he's so depressed and suicidal. You learn that his mother died when he was ten, and that there is a history of depression in his family. He has a rocky relationship with his older brother Mikey, who is the only family he has left.
In the treatment center, where patients are required to wear pajamas instead of street clothes (Jonathan is given an especially rib-tickling set!) Jonathan becomes close friends with two other suicidal teens Toby (Jonathan Jackson, whose Irish accent was very good IMO) who accidentally killed his brother in an accident, and the very disturbed Rachel (Tricia Vessey) whose creepy sexiness Jonathan can't help but feel drawn to, even when she is abusive to him. Though Dr. Figure coaxes a lot of revealing stuff out from Jonathan's mind, it is his relationships with Toby and Rachel that assist him in taking a look at his life, and lead him to become a person who cares about people instead of being so self-involved all the time.
The beautiful, doe-eyed Murphy does another fantastic job vanishing into a character who hides his vulnerability behind a facade of sarcasm and toughness that Dr. Figure can see right through. Jackson gives a heartrending performance. Vessey is impressive too, lending a very "L.A., California" vibe to this otherwise quite Irish story. I'd like to see more of her work.
I would have said that I might like further explanation about Jonathan's history of self-cutting (You don't see any scars, but he spends most of his screen time in long-sleeved pajamas, sweaters and coats) and about Rachel's fascination with human blood. There are two semi-sexual scenes that are so bizarre they defy description. But I guess the whole point is that these behaviors can't be categorized or explained neatly. Every case is individual, and the doctors never know if treatment will be effective.
Bittersweet is the word that best describes the overall tone of this film. John Carney did great with direction, but also composed the original music score that enriches many scenes. The film ends on a fairly upbeat note, but there is a nagging worry about whether these young people will really be able to keep surviving.
I liked it.
ON THE EDGE is an interesting piece about teenage depression and suicidal behavior. It begins when Jonathan (Cillian Murphy) loses his father to alcoholism. You don't understand Jonathan at all when you first meet him. He comes off as callous, self-centered and unlikeable until he grabs the urn with his father's ashes and decides to drive himself, in a stolen convertible, off a cliff. Is it an abrupt decision, spur of the moment, or is it something Jonathan has been contemplating for years? The only alternative to jail time is to participate in a residential suicide program in Dublin, run by Dr. Figure (Stephen Rea) so Jonathan agrees to it, though he doesn't believe anyone has answers or solutions for him. As you get to know him, you realize that Jonathan himself doesn't understand fully why he's so depressed and suicidal. You learn that his mother died when he was ten, and that there is a history of depression in his family. He has a rocky relationship with his older brother Mikey, who is the only family he has left.
In the treatment center, where patients are required to wear pajamas instead of street clothes (Jonathan is given an especially rib-tickling set!) Jonathan becomes close friends with two other suicidal teens Toby (Jonathan Jackson, whose Irish accent was very good IMO) who accidentally killed his brother in an accident, and the very disturbed Rachel (Tricia Vessey) whose creepy sexiness Jonathan can't help but feel drawn to, even when she is abusive to him. Though Dr. Figure coaxes a lot of revealing stuff out from Jonathan's mind, it is his relationships with Toby and Rachel that assist him in taking a look at his life, and lead him to become a person who cares about people instead of being so self-involved all the time.
The beautiful, doe-eyed Murphy does another fantastic job vanishing into a character who hides his vulnerability behind a facade of sarcasm and toughness that Dr. Figure can see right through. Jackson gives a heartrending performance. Vessey is impressive too, lending a very "L.A., California" vibe to this otherwise quite Irish story. I'd like to see more of her work.
I would have said that I might like further explanation about Jonathan's history of self-cutting (You don't see any scars, but he spends most of his screen time in long-sleeved pajamas, sweaters and coats) and about Rachel's fascination with human blood. There are two semi-sexual scenes that are so bizarre they defy description. But I guess the whole point is that these behaviors can't be categorized or explained neatly. Every case is individual, and the doctors never know if treatment will be effective.
Bittersweet is the word that best describes the overall tone of this film. John Carney did great with direction, but also composed the original music score that enriches many scenes. The film ends on a fairly upbeat note, but there is a nagging worry about whether these young people will really be able to keep surviving.
I liked it.