Review of Carrington

Carrington (1995)
8/10
Watching this resembles reliving memories of people you knew well
27 July 2010
Biography and history are not well represented among great film productions, one can sense that most film makers prefer to allow their imaginations free rein and avoid any factual constraints. But I always enjoy good biographies, whether in the form of books or films, and for me Carrington is a delightful film to be both savoured and treasured.

However London was home to the so-called Bloomsbury group so they became best known in the U.K., and this film would be more readily appreciated there than in North America. The group consisted mainly of the leisured and fairly well to do junior offspring of aristocratic families who were able to spend almost all their time actively participating in the worlds of literature, drama or the arts. Its members were unusual in being very contemptuous of the contemporary moral code, whilst still having strong moral scruples that essentially governed all their actions. World War 1 occurred during the period when they had their greatest influence on British society, and many members of the group became infamous for being conscientious objectors to participating in the war on ethical rather than religious grounds. Sexually they had very progressive attitudes, and generalizing to perhaps a dangerous extent, they viewed personal commitments which had to be preserved as all important, but believed these commitments were made between the individuals concerned and were no business of either the Church or the State.

Featured in this film are Emily Carrington and Lytton Strachey. She was a very well regarded artist who seemed to have some repugnance about exhibiting or selling her works in the usual way. He was essentially an essayist who achieved both fame and success with the publication of "Eminent Victorians" - a book of condensed biographies, many only a few paragraphs long but all showing considerable ability to pick out the key character traits that ultimately contributed most to the public image of the individuals concerned. Both are played (by Emma Thompson and Jonathan Pryce) with remarkable depth and sincerity.

These brief comments may help anyone who has read little of the characters involved to understand why the film is of real interest to so many older viewers; they can do nothing to convey the charm and yet knife sharp precision it shows in displaying the activities of its principal protagonists. I find it hard to assess how far their activities might become of interest to younger viewers who have no familiarity with the period, purely on the strength of this film. I can however assure those who do not share my background that I found the film not only truly fascinating but also an immensely satisfying viewing experience. Usually, if a film biography causes me to look out for the book on which it was based, this is an indication that the film did not really succeed,; but not so on this occasion when I just felt the urge to enjoy more of the fascinating story.

I rate this film at eight stars on the IMDb scale - if I had felt it would have a more universal appeal this would have probably been nine. In what they attempted to do its makers have shown near genius, and both the cinematography and acting are almost above reproach. Today I suspect that some will find it boring, but I believe they will be far fewer than might be expected from the subject matter - this is a prime example of one of the very few outstanding film biographies where a viewer almost feels he or she has got to know the actual characters being portrayed..
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