It is easy to review a movie; they say. In many ways it is. We go for movies, we feel inspired, awed, touched, redeemed etc. Our plethora of the abstract is bolstered by the very existence of the notion that beyond our daily weariness there is a world of cinema, where people make movies and we can be entertained.
Then there are those who are part of the 'Divulge' process. This would only happen if you have every attempted to catch something on camera; not accidentally but intentionally. Staged it; you framed it, cut it & displayed it. We so called Movie Buffs love criticizing the effort and all that the Film Maker wasn't able to accomplish in comparison to the IMDb Top Ranked Movies.
I once had an interview at RGV factory to work as an unpaid intern; which I had to decline due to academics. Then, I remember boasting to my interviewer of my ability to take a scene and give him at least seven different ways of shooting it. We all are self made maestros in some way or the other. Movies being something we relate to, we are sure we could've done a better job.
Today I saw a movie called Love, Sex & Dhoka. Today I do not need to talk about Tarantino, Kubrick or Goddard. Today, I want to talk about Dibakar Banerjee. A director who has taken Indian movies to a pedestal where neither European Maestros, Spanish Cinematographers, Iranian Script Writers or British Actors could go.
He nailed his script with Khosla ka Ghosla. He nailed his screenplay in Oye Lucky Oye. Now he nails his content with LSD. The movie is cinema at its best. It tells us that we do not need exploding cars or flaming superstars to make good movies. We need brilliant performances; and this movie has the best I have seen.
I was almost in tears in the start, I laughed at every joke of the movie, the thrills were superlative, the dialogues were a level above Pulp Fiction, the flow was gripping and the movie is without doubt the best movie I have seen in a long time. It is bold as Da Vinci, dark as a Grimm Fable, as real as the summer sun and as detailed as a Wordsworth poem about majestic beats worked upon in the workshops of the abyss.
Many would question my perspective on the movie but those who know me well would have guessed by now I do not want to reveal anything. But I ask you to go watch it; see what goes into a movie when all you have is the will to entertain, inspire, awe, bevel the audience with humour, strike the emotions with subtle romance and most of all give us a glimpse of film making that would certainly go down in history as a continuation of the legacy that compounds all the talent, previously baptized as Ray, Kurusawa, Kubrick and at least for this movie – this moment Dibakar Banerjee.
My rating 4.5 stars out of 5.
Then there are those who are part of the 'Divulge' process. This would only happen if you have every attempted to catch something on camera; not accidentally but intentionally. Staged it; you framed it, cut it & displayed it. We so called Movie Buffs love criticizing the effort and all that the Film Maker wasn't able to accomplish in comparison to the IMDb Top Ranked Movies.
I once had an interview at RGV factory to work as an unpaid intern; which I had to decline due to academics. Then, I remember boasting to my interviewer of my ability to take a scene and give him at least seven different ways of shooting it. We all are self made maestros in some way or the other. Movies being something we relate to, we are sure we could've done a better job.
Today I saw a movie called Love, Sex & Dhoka. Today I do not need to talk about Tarantino, Kubrick or Goddard. Today, I want to talk about Dibakar Banerjee. A director who has taken Indian movies to a pedestal where neither European Maestros, Spanish Cinematographers, Iranian Script Writers or British Actors could go.
He nailed his script with Khosla ka Ghosla. He nailed his screenplay in Oye Lucky Oye. Now he nails his content with LSD. The movie is cinema at its best. It tells us that we do not need exploding cars or flaming superstars to make good movies. We need brilliant performances; and this movie has the best I have seen.
I was almost in tears in the start, I laughed at every joke of the movie, the thrills were superlative, the dialogues were a level above Pulp Fiction, the flow was gripping and the movie is without doubt the best movie I have seen in a long time. It is bold as Da Vinci, dark as a Grimm Fable, as real as the summer sun and as detailed as a Wordsworth poem about majestic beats worked upon in the workshops of the abyss.
Many would question my perspective on the movie but those who know me well would have guessed by now I do not want to reveal anything. But I ask you to go watch it; see what goes into a movie when all you have is the will to entertain, inspire, awe, bevel the audience with humour, strike the emotions with subtle romance and most of all give us a glimpse of film making that would certainly go down in history as a continuation of the legacy that compounds all the talent, previously baptized as Ray, Kurusawa, Kubrick and at least for this movie – this moment Dibakar Banerjee.
My rating 4.5 stars out of 5.