A life of wine, women, and, no, not song, but left-wing causes, has left Remy (Remy Girard) pretty much alone and dying from cancer.
Writer/Director Denys Arcand gives us a film that dispels the myth that we will all die a happy death.
Remy's son Sebastien (Stephane Rousseau) lives in London and doesn't have anything to do with his father, who rejects him because of his capitalist ways, but he comes in and gets things done for his father. The Canadian hospital and the unions are not presented in a good light. Sebastian has to grease palms with money everywhere he turns. He also calls his father's old friends and associates to get them to visit. It really gets funny when he naively goes to the police to find a source for heroin as the morphine is no longer working to alleviate his father's pain.
It is not only the Canadian health care system that is pilloried, but the Catholic Church, and the imperialism of many nations. It is truly a thinking person's film. There are so many great lines throughout and some great thoughts on life and death.
While Nathalie (Marie-Josée Croze) helped him ease into death, his friends relieved their youth around him.
He lived his life on his own terms, and he went out that way.
I want more Denys Arcand.
Writer/Director Denys Arcand gives us a film that dispels the myth that we will all die a happy death.
Remy's son Sebastien (Stephane Rousseau) lives in London and doesn't have anything to do with his father, who rejects him because of his capitalist ways, but he comes in and gets things done for his father. The Canadian hospital and the unions are not presented in a good light. Sebastian has to grease palms with money everywhere he turns. He also calls his father's old friends and associates to get them to visit. It really gets funny when he naively goes to the police to find a source for heroin as the morphine is no longer working to alleviate his father's pain.
It is not only the Canadian health care system that is pilloried, but the Catholic Church, and the imperialism of many nations. It is truly a thinking person's film. There are so many great lines throughout and some great thoughts on life and death.
While Nathalie (Marie-Josée Croze) helped him ease into death, his friends relieved their youth around him.
He lived his life on his own terms, and he went out that way.
I want more Denys Arcand.