6/10
Not good enough
16 February 2010
Warning: Spoilers
First of all, I wanted to like this movie. I like Penn (in both his acting roles and 'some' as director - 'Into The Wild' was fantastic), I like Morse and Nicholson is a good addition as well. The subject of the movie resonates with me too - a father wanting to exact revenge on the drunk-driver killer of his little girl. What father wouldn't feel like that? However, mashing all this together for a film - it just doesn't work.

Why? For me - the story was too meandering, too off-the-beaten-track to hook in the viewer. Nicholson's erratic behaviour as a drink-guzzling, topless bar frequenting Lothario - although giving us a look into how his life has become empty and shallow - does not give us much sympathy for him. He tracks down his daughter's killer and gives him 3 days grace. After such time, he will come and shoot him dead. The first question in my mind was why? Why not kill him there and then - get it over with - after all he had been waiting 7 years already.

Morse - who had obviously pumped iron for the intervening time in jail - plays his part as best as he can. He's not given much in the way of a script to flesh out his character but he does well to personalise and internalise the pain. Nicholson does okay too - his acting a little spotty at times but in the main he holds it together quite well. A decent turn from Angelica Huston adds to the film. Robin Wright-Penn though does not. It's not entirely her fault as her part is completely irrelevant as Morse's not-quite-love-interest. (In one scene - which I had to replay to see if I saw it properly the first time - I thought Morse had broken her neck for no apparent reason. But it turned out to be a cuddle. Strangest cuddle ever if you ask me.) So the movie meanders through a series of not very exciting moments until we end up at the end of the 3 days with a chase between Nicholson and Morse. This, although leading to some redemption, is almost laughable. First of all Nicholson is an old man, coming off the back of a night of beer and cigarettes and generally out of shape. Morse, on the other hand, looks like a clean-living, hard-working, in-shape perfect human specimen - but yet cannot outrun his predator. A preposterous chase from his trailer through the streets of downtown (where Nicholson has umpteen opportunities to kill his prey and doesn't) ends up in the graveyard where the little girl is buried. Causing both men to finally find some solace and finality.

Poor.

Don't get me too wrong here - there are some nice scenes, some good dialog too but it is ruined by an unfocused script and an ending that has to be seen to be dis-believed. Penn has had worse outputs than this and he is clearly learning his craft as he goes along but this does go down as a thumbs down rather than up.

I'll give it 6/10 for an honest effort at telling a well-worn story in a different way but it was a disappointment at the end of the day.
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