Try and forget for a second that this film only got released in 1979! Personally, I'm 100% convinced that it was, in fact, George Lucas who totally ripped off this brilliantly plotted script and even shamelessly copied the costume designs and set pieces of this genuine Sci-Fi milestone to make his own insignificant and overrated – but perhaps slightly better marketed – "Star Wars"! Seriously, THIS should have been the Sci-Fi hype of the past century! This should have been the film that spawned numerous sequels, imitations, merchandising and millions of obsessive and nerdy fan-boys all over the world, damned!
Of all the blatant rip-off's that the Italians made during the late 70's/early 80's period – and the amount of them is really gigantic – "The Humanoid" is most likely the most blatant of them all. The intro scrolling over the screen at the beginning, the main villain wearing exactly the same helmet as Darth Vader (though with an S&M mask underneath) and the robot is R2D2 with a doggie makeover. Thank God they didn't do an imitation of C3PO! The Han Solo on duty is Richard "Jaws" Kiel and it's immediately stated clear why this guy should only play roles that are completely silent. Cult siren Barbara Bach plays an evil queen who needs the blood of young women to safeguard her beauty (nice little Countess Bathory sub plot, actually). She allies with Darth Vader number two and with an evil professor who's working on a new and indestructible type of cyber-warrior called The Humanoid. Who other than Richard Kiel would be the more ideal Humanoid prototype, so thus the evil threesome turn Golob's (that's his name) spaceship into confetti and he emerges from the lake again as their retarded minion. With his superhuman strength, Darth Vader number two can finally conquer the throne of Metropolis. How about that plot, huh? Actually, I'm not quite sure if my little summary is fully accurate, as I was too busy laughing most of the time. "The Humanoid" truly is God-awful but immeasurably entertaining exploitation trash that you simply cannot hate. The funniest thing is that this idiocy was actually made by an ensemble of people that should know better, like director Aldo Lado ("Who Can Kill a Child"), special effects supervisor Antonio Margheriti ("The Virgin of Nuremberg"), composer Ennio Morricone ("Once Upon a time in the West"), writer Adriano Bolzoni ("Your Vice is a Locked Room and only I have the Key") and lead actress Barbara Bach ("The Spy who Loved Me"). The special effects and costumes are tacky from the beginning, but the plot gradually grows even more imbecilic as we move along. The variant on the lightsabers are lightarrows! The entire special effects team must have brainwashed for two whole days over the question: what other medieval piece of armory can we turn into a futuristic fantasy weapon without George Lucas suing us? "The Humanoid" is the purest form of entertainment, especially if you have the chance of watching it with some fellow trash fanatics and whilst under the influence of mild narcotics.
Of all the blatant rip-off's that the Italians made during the late 70's/early 80's period – and the amount of them is really gigantic – "The Humanoid" is most likely the most blatant of them all. The intro scrolling over the screen at the beginning, the main villain wearing exactly the same helmet as Darth Vader (though with an S&M mask underneath) and the robot is R2D2 with a doggie makeover. Thank God they didn't do an imitation of C3PO! The Han Solo on duty is Richard "Jaws" Kiel and it's immediately stated clear why this guy should only play roles that are completely silent. Cult siren Barbara Bach plays an evil queen who needs the blood of young women to safeguard her beauty (nice little Countess Bathory sub plot, actually). She allies with Darth Vader number two and with an evil professor who's working on a new and indestructible type of cyber-warrior called The Humanoid. Who other than Richard Kiel would be the more ideal Humanoid prototype, so thus the evil threesome turn Golob's (that's his name) spaceship into confetti and he emerges from the lake again as their retarded minion. With his superhuman strength, Darth Vader number two can finally conquer the throne of Metropolis. How about that plot, huh? Actually, I'm not quite sure if my little summary is fully accurate, as I was too busy laughing most of the time. "The Humanoid" truly is God-awful but immeasurably entertaining exploitation trash that you simply cannot hate. The funniest thing is that this idiocy was actually made by an ensemble of people that should know better, like director Aldo Lado ("Who Can Kill a Child"), special effects supervisor Antonio Margheriti ("The Virgin of Nuremberg"), composer Ennio Morricone ("Once Upon a time in the West"), writer Adriano Bolzoni ("Your Vice is a Locked Room and only I have the Key") and lead actress Barbara Bach ("The Spy who Loved Me"). The special effects and costumes are tacky from the beginning, but the plot gradually grows even more imbecilic as we move along. The variant on the lightsabers are lightarrows! The entire special effects team must have brainwashed for two whole days over the question: what other medieval piece of armory can we turn into a futuristic fantasy weapon without George Lucas suing us? "The Humanoid" is the purest form of entertainment, especially if you have the chance of watching it with some fellow trash fanatics and whilst under the influence of mild narcotics.