i had seen this film when first released in early 85. though the pacing is slow and deliberate i find myself hypnotically fastened to the visuals aided by a good john lurie score.
this is one of the few films i've seen where the long lingering visuals (fulton fish market scene,etc),in its unflattering documentation of a bygone nyc era, actually adds the sense of smell to picture. i could actually taste/smell times square while watching.
there has been enough written about the plot/theme in others comments. though i find it an ambiguous film in that the character of christine's awakening of alternative sexual desires seems to leave her more frustrated than fulfilled.
the pacing reminds me in a good way of wim wenders early b&w dramas.
could someone please inform me though if that British accented woman at the bar is an uncredited gina birch of The Raincoats??
i grew up during that period in manhattan, especially around the sleaze of times square. so i may be simply nostalgic in an odd sense when i watch the film.
this is one of the few films i've seen where the long lingering visuals (fulton fish market scene,etc),in its unflattering documentation of a bygone nyc era, actually adds the sense of smell to picture. i could actually taste/smell times square while watching.
there has been enough written about the plot/theme in others comments. though i find it an ambiguous film in that the character of christine's awakening of alternative sexual desires seems to leave her more frustrated than fulfilled.
the pacing reminds me in a good way of wim wenders early b&w dramas.
could someone please inform me though if that British accented woman at the bar is an uncredited gina birch of The Raincoats??
i grew up during that period in manhattan, especially around the sleaze of times square. so i may be simply nostalgic in an odd sense when i watch the film.