1/10
Nominated for Worst Film at the Berlin festival
21 August 2009
I'm not certain how Ulli Lommel's empty thriller Absolute Evil got into the Berlin film festival, but after the woeful Daniel the Magician from a few years ago, I'm surprised, very surprised. Toplined David Carradine plays a jovial sort of gangster which is a small role in this home-made thriller film. The story has a woman chasing after her father's killers about 15 years too late. A torture/waterboarding scene is the primal image in Absolute Evil -- it is the scene that Lommel cuts back to frequently, and becomes the symbol of how this movie grates on the nerves.

Absolute Evil borrows from such films as Kill Bill and Planet of the Apes, but steals more heavily from Lommel's own C-grade horror efforts, such as The Boogeyman, BTK Killer, Green River Killer, Killer Pickton, and Mummy Maniac.

In other words, Absolute Evil borrows extensively from other filmmakers. There are a few fancy cinematic moments in Absolute Evil, and if one looked carefully one might find these, too, have been borrowed from other movies.

Absolute Evil is technically terrible -- the lighting and sound are in particular abysmal. The reviewer for Hollywood Reporter got it right when he said, the film "is quite simply excruciating to watch." Whoever wrote in the IMDb comments that this was a great movie must have mistaken Absolute Evil for some other flick.
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