I've seen quite a few Eddie Cantor films and some of them are wonderful films. However, Cantor also made a few clunkers--and STRIKE ME PINK is one of them.
The film starts out well. Cantor plays a milquetoast owner of a dry cleaning business. Because he's so afraid, he takes a correspondence course to make him an assertive man. This aspect of the film is pretty funny and I really was hooked.
When Cantor's friend graduates college, Cantor is offered a job running the amusement park owned by his friend's mother. They hire him because he acts tough and assertive--and they need that because hoods (led by Brian Donlevy and William Frawley) are trying to force the park to place crooked slot machines on the property. The last three managers all met with "unfortunate accidents" or just disappeared, so it looks as if Cantor is in over his head.
Again, so far so good--the set up is just fine and the film is a mildly amusing comedy. However, one problem is noticeable half-way through the film. While Cantor himself often sings cute little songs in his films, this time there are some Busby Berkely-like production numbers and the addition of a lady singer that frankly didn't work. The humor, at times, took a back seat to irrelevant musical numbers. The dumb plot involving the dark-haired lounge singer just didn't work at all.
By the middle of the film, the quality and humor started to fade. However, towards the end the film got really, really bad--like the writers had no idea what to do with the film. Going from a gentle comedy to a "wacky" and outrageous comedy just failed miserably. All too often, Cantor wasn't even in a scenes--just his stunt double. Additionally, with the awful roller coaster scene, too much of a reliance on rear-projection and dippy stunts sank the film. At this point, I just couldn't wait for it to end. It's a shame really, as I wanted to love this film--too bad it all turned to crap at the end.
The film starts out well. Cantor plays a milquetoast owner of a dry cleaning business. Because he's so afraid, he takes a correspondence course to make him an assertive man. This aspect of the film is pretty funny and I really was hooked.
When Cantor's friend graduates college, Cantor is offered a job running the amusement park owned by his friend's mother. They hire him because he acts tough and assertive--and they need that because hoods (led by Brian Donlevy and William Frawley) are trying to force the park to place crooked slot machines on the property. The last three managers all met with "unfortunate accidents" or just disappeared, so it looks as if Cantor is in over his head.
Again, so far so good--the set up is just fine and the film is a mildly amusing comedy. However, one problem is noticeable half-way through the film. While Cantor himself often sings cute little songs in his films, this time there are some Busby Berkely-like production numbers and the addition of a lady singer that frankly didn't work. The humor, at times, took a back seat to irrelevant musical numbers. The dumb plot involving the dark-haired lounge singer just didn't work at all.
By the middle of the film, the quality and humor started to fade. However, towards the end the film got really, really bad--like the writers had no idea what to do with the film. Going from a gentle comedy to a "wacky" and outrageous comedy just failed miserably. All too often, Cantor wasn't even in a scenes--just his stunt double. Additionally, with the awful roller coaster scene, too much of a reliance on rear-projection and dippy stunts sank the film. At this point, I just couldn't wait for it to end. It's a shame really, as I wanted to love this film--too bad it all turned to crap at the end.