Twentieth Century Fox Film Corporation undoubtedly produced their chick flick western "Belle Starr" to cash in on their success with their earlier outlaw biography "Jesse James" with Tyrone Power. Moreover, this biographical oater appropriates the post-Civil War South as its setting and uses both the 'Lost Cause' sentiments of old die-hard rebels and the evils of Reconstruction in the Missouri to shape its protagonist. Indeed, Fox appears to have cast the beautiful Gene Tierney as the eponymous heroine in her fourth role based on her striking resemblance to "Gone with the Wind" beauty Vivian Leigh. "Cisco Kid" director Irving Cummings and "Drums Along the Mohawk" scenarist Lamar Trotti play fast and loose with the truth about the title character. They use African-Americans as storytellers to frame their story. In fact, the film unfolds largely in flashback when a young black girl discovers a doll in the ruins of the Shirley Plantation. Her father declares that it must have belonged to Belle Shirley and the story picks up after the Civil War. Later, "Belle Starr" concludes with Belle's death and three African-Americans describe Belle as if she were a mythic supernatural entity that can shape-shift in to a red fox. Not surprisingly, "Belle Starr" concerns the legend rather than the life of this notorious dame outlaw. For example, she lived longer in real life than her cinematic counterpart, but she died in real life the way that she does in the movie version, getting shot from ambush by an assassin. Typically, Hollywood movies in conformity with the Production Code Administration had to punish film characters that strayed from the law by killing them at the end of the movie. In "Belle Starr," the heroine is riding hell-bent for leather to town to give herself up after she realizes the error of her way. Naturally, her death is pre-ordained.
Review of Belle Starr
