"V: The Miniseries" captured the attention of the 80s. It was what American audiences needed after such success of "Star Wars" and "Star Trek", it was a new chapter of science fiction, and the marketing gurus behind it were ready to make history. Released in 1983, this short chapter is part of a bigger idea, but it was a powerful start to that idea. Randomly, what I invisioned a Tuesday afternoon, the sky is flooded with huge alien spacecraft ready to make contact. We are scared, the flush of the unknown is heavy, but as soon as we see that they look just like us - we are calmed. They want resources, talk of a dying planet, and even during a Cold War, we - the nations of the world - extend an open hand to them. It is the beginning of the end ... well, so to speak.
Nearly 26 years after its original release on television, "V: The Miniseries" is continually voted one of the top cult shows of the 80s, and one can agree - it is a poineering show for television, but the pressing question is - does it still hold up after all of these years? With CGI a staple in Hollywood, and the science fiction genre proving to be a lucrative endeavor, does "V" feel all-powerful, or is it just another hokie film masquerading history with reptilian creatures? Passivly, the response is yes. "V" (excluding "The Final Battle") was a fantastic miniseries in the 80s, and continues to provide unparalleled entertainment today. What lacks in an elongated story pressured by history, it overloads with magnificent visuals. Consider "V" in the 80s to be the "Battlestar Galactica" of today -- thrilling characters, the idea of the unknown, and the creatures that will leave a lasting, and iconic, impression for weeks after viewing. Yet, a modern viewing will have to patiently wait for the reward as it arrives in waves throughout the entire three hours. A bold opening, the over-zealous spacecraft appearing in the skyline, the fear of the unknown, and the arrival of those red suits will pull you in, but then it slows as we introduce characters (both big and small), and further bring connections between 1983 and German influences in the 1940s. Patience is more than a virtue with this series, as it is important to watch through the ending, there are just small details that pull away from the overall impact of the show. The scientist elimination and discrimination was random - at first - having to readjust your concept of "why" - we are jolted from a sudden disappearance to a hatred from both the alien race and human. It was shocking to see how quickly one human could turn on another - but again - it was at that time when Kenneth Johnson was pushing the German/Jewish undertones. A stronger transition from alien arrival to a debunk of social standards would make the flow stronger, and allow modern eyes to adjust.
This said, "V: The Miniseries" is more than just your 8pm Wednesday science fiction, it is symbolic, hurtful, idealistic, charming, incredibly 80s, and pioneering for today's television. Between this and Lynch's "Twin Peaks", it is shameful to think "Lost" is that creative. "V" is a great show to watch, and from a personal standpoint, I loved watching everything Johnson brought to the screen. The posters within the film are as vibrant and vintage as when released. The visual of red spraypaint creating that V on the cartoonish prints are just as important as that of the first discovery of the reptile. It was a slice of my youth, but it is not a show that I could watch again and again. The intensity was high, the acting was mid-level, and the central story (outside of the action-packed intro and outro) was mediocre at best. I wanted to fall back in love with this show, but the middle drama was overly symbolic. I didn't need overbearing Nazi implications, I wanted to discover it for myself. Johnson, again, did a great job - just a bit too pushy with the message.
The DVD itself was not as sharp as modern discs, but it was an 80s TV show. It felt like it was coming on TV for the first time, complete with lackluster colors and over-budgeted special effects. I liked this style and release, and am highly excited about jumping into "The Final Battle". For this chapter, I liked what I saw - what I was re-exposed to - I just didn't love it as I did was I was 7.
Grade: *** 1/2 out of *****
Nearly 26 years after its original release on television, "V: The Miniseries" is continually voted one of the top cult shows of the 80s, and one can agree - it is a poineering show for television, but the pressing question is - does it still hold up after all of these years? With CGI a staple in Hollywood, and the science fiction genre proving to be a lucrative endeavor, does "V" feel all-powerful, or is it just another hokie film masquerading history with reptilian creatures? Passivly, the response is yes. "V" (excluding "The Final Battle") was a fantastic miniseries in the 80s, and continues to provide unparalleled entertainment today. What lacks in an elongated story pressured by history, it overloads with magnificent visuals. Consider "V" in the 80s to be the "Battlestar Galactica" of today -- thrilling characters, the idea of the unknown, and the creatures that will leave a lasting, and iconic, impression for weeks after viewing. Yet, a modern viewing will have to patiently wait for the reward as it arrives in waves throughout the entire three hours. A bold opening, the over-zealous spacecraft appearing in the skyline, the fear of the unknown, and the arrival of those red suits will pull you in, but then it slows as we introduce characters (both big and small), and further bring connections between 1983 and German influences in the 1940s. Patience is more than a virtue with this series, as it is important to watch through the ending, there are just small details that pull away from the overall impact of the show. The scientist elimination and discrimination was random - at first - having to readjust your concept of "why" - we are jolted from a sudden disappearance to a hatred from both the alien race and human. It was shocking to see how quickly one human could turn on another - but again - it was at that time when Kenneth Johnson was pushing the German/Jewish undertones. A stronger transition from alien arrival to a debunk of social standards would make the flow stronger, and allow modern eyes to adjust.
This said, "V: The Miniseries" is more than just your 8pm Wednesday science fiction, it is symbolic, hurtful, idealistic, charming, incredibly 80s, and pioneering for today's television. Between this and Lynch's "Twin Peaks", it is shameful to think "Lost" is that creative. "V" is a great show to watch, and from a personal standpoint, I loved watching everything Johnson brought to the screen. The posters within the film are as vibrant and vintage as when released. The visual of red spraypaint creating that V on the cartoonish prints are just as important as that of the first discovery of the reptile. It was a slice of my youth, but it is not a show that I could watch again and again. The intensity was high, the acting was mid-level, and the central story (outside of the action-packed intro and outro) was mediocre at best. I wanted to fall back in love with this show, but the middle drama was overly symbolic. I didn't need overbearing Nazi implications, I wanted to discover it for myself. Johnson, again, did a great job - just a bit too pushy with the message.
The DVD itself was not as sharp as modern discs, but it was an 80s TV show. It felt like it was coming on TV for the first time, complete with lackluster colors and over-budgeted special effects. I liked this style and release, and am highly excited about jumping into "The Final Battle". For this chapter, I liked what I saw - what I was re-exposed to - I just didn't love it as I did was I was 7.
Grade: *** 1/2 out of *****