Channels (2008)
9/10
Given the romance, it was so affecting that it caught me off guard.
27 March 2009
"Channels" is very affecting movie, a romantic comedy with a mix of some profoundly sincere thought.

A character named "Black" (appropriate for his mood in the beginning) is a movie producer on the rise, who is having a hard time dealing with a movie that he is producing. The head of the studio feels that Black is messing up with his creative personnel. With all that is going on, the only place Black finds any solace, is when he goes home and routinely channels surfs, not really watching what is on the TV. He does, however, take note of a certain character, "Katherine", who appears on a specific TV series that comes on regularly. He is enchanted by her. Then one night, through an odd, unexplainable circumstance, the character appears in his apartment.

They decide to figure out what is going on, but instead, eventually fall in love with each other. At a certain point, Katherine says that she simply doesn't care about making sense out of it all, and that they should just believe in their love and that is what matters, and that is what is "real." Black hesitates. And in that hesitation, he may have lost her.

There is an interesting symbolism of a train passing by in his dreams. The train, representing time passing, fits in with his not taking advantage of the opportunity that appeared to him at a moment in time. The moment he hesitated. So, he tries very hard to get her back

Channels stars Nat Christian, a completely honest actor, who is very interesting to watch. He imbues his characterization with a kind of poetic philosophical artistic stroke. Projecting a character's philosophy is an interesting place to go for an actor. And, in a restrained characterization, he makes it look simple .

"Katherine" is played by Kim Oja, whose terrific talent matches her endearing nature. Oja seems very comfortable playing both comedy and drama, and she pulls it off.

There are other marvelous actors, such as Ed Asner, John Kassir, Joan Van Ark and Taylor Negron. They were cast well, because each brings specific characterizations to this piece.

The score by Rossano Galante is stirring and fits in with the poetic nature of "Channels."

The writing and directing also had Nat Christian at the helm. He blends his thematic and cinematic vision with a commanding skill, allowing us to laugh at times, feel the romance, and still ponder the central question – With two lovers in a strange situation, if one believes strongly enough in the "love" could that make the situation real?
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