7/10
A Closing Symmetry
7 March 2009
Though she didn't and couldn't have known it, I Could Go On Singing became Judy Garland's farewell to the big screen. In this role she's perfectly cast in a role that bears a lot of resemblance to the real Judy Garland, a famous singer with problems of custody who wants the son she gave up for adoption years ago.

Some twenty years before young medical student Dirk Bogarde, studying in America fell in love with singer Judy Garland just starting her career. That career is something she wanted more than him. But one thing couldn't be changed and that was the boy child Bogarde left with her.

Bogarde marries a girl from Great Britain and later on Judy who can't manage a baby and a career gives him up to Bogarde who adopts his own son with his wife and raises him. Now his wife is dead and Judy's back to lay a claim on her son played by Gregory Phillips.

Of course Bogarde has never told his son about his origin and therein lies the story. It's the kind of tale we've seen in hundreds of films and radio and television soap operas.

But of course what makes I Could Go On Singing special is the singing of Judy Garland. Giving this film which title could serve as her epitaph is Harold Arlen and E.Y. Harburg who wrote the title song and who wrote her famous Over The Rainbow.

Judy also sings By Myself which was sung and danced to by Fred Astaire in The Bandwagon. But a song I'm really glad she did was the Kurt Weill-Maxwell Anderson song It Never Was You. That song comes from the score of Knickerbocker Holiday and it didn't make the screen version. I'm glad that Judy Garland used it in this film, giving it the classiest interpretation possible.

A passable enough drama, but great singing and the best epitaph possible for a career which was one of the brightest.
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