Despite being noted as star Gary Cooper's sole producer credit, ALONG CAME JONES disappointingly proves little more than a middling (if not unenjoyable) Western; similarly, rather than give it the expected stature, the much-touted contribution of renowned scriptwriter Nunnally Johnson merely explains the film's talky nature. Besides, his tortuous plot results in generally woolly characterization while listless pacing makes the whole feel much longer than its standard 90-minute duration! Anyway, the narrative sees cowhand Cooper being mistaken for outlaw-in-hiding Dan Duryea (not only for sporting an equivalent build and initials, but also in being flanked by a 'hare-brained' partner i.e. William Demarest); unbeknownst to him, this scenario is actually encouraged by the bandit's girlfriend (Loretta Young). The hero, however, is not as dumb and gullible as he looks: incidentally, I had reservations about Cooper playing this type of character in THE WESTERNER (1940) but, in the context of a comedy (the film is really an early spoof of the genre), it becomes an accepted convention. The first half, in fact, works quite well on this front especially the star's would-be mean posturing and Demarest's reaction at being compared to "Uncle Roscoe Something"; the more typical action associated with the genre does come into play eventually
though still given a spin by having Young finally contrive to save Cooper, an awkward gunman, from the ruthless Duryea's bullets (during an earlier confrontation, the hero had exchanged quips and clothing with the villain) in a surprisingly bloody showdown a' la the 2 Howards' (Hawks and Hughes) THE OUTLAW (1943)!