PAUL IS STILL BLIND AT THE END.
Many viewers fail to realize this, and thus come to erroneous conclusions concerning the final scenes. Paul's removal of the smoked glasses as he examines the leaf is meant to symbolize that he has learned to "see" the world through his sense of touch and no longer feels "blind" as an artist. This is why he pays no attention to Laura as she watches him play in the fountain. His eyes cannot see her. Laura for her part perceives that Paul no longer needs her to serve as his muse, so she leaves.
All that aside of Hamilton's 3 plot structured films, LAURA is his best effort. Each frame of film has delicately lit mies-en-scene and purposely resembles impressionist paintings -- particularly those of Degas. This is not an "actor-oriented" movie. It's a "picture-oriented" movie. Hamilton has meticulously choreographed and rehearsed every human movement he captured on this film. All movie-acting should be like this.
If I feel the finished product is what the director intended it to be, I give a film a high rating whether I personally enjoyed the viewing experience or not. Regarding LAURA I enjoyed the viewing of it but the score makes me wretch. I despise every note. Patrick Juvet must have become tone deaf by the time he scored it.
Many viewers fail to realize this, and thus come to erroneous conclusions concerning the final scenes. Paul's removal of the smoked glasses as he examines the leaf is meant to symbolize that he has learned to "see" the world through his sense of touch and no longer feels "blind" as an artist. This is why he pays no attention to Laura as she watches him play in the fountain. His eyes cannot see her. Laura for her part perceives that Paul no longer needs her to serve as his muse, so she leaves.
All that aside of Hamilton's 3 plot structured films, LAURA is his best effort. Each frame of film has delicately lit mies-en-scene and purposely resembles impressionist paintings -- particularly those of Degas. This is not an "actor-oriented" movie. It's a "picture-oriented" movie. Hamilton has meticulously choreographed and rehearsed every human movement he captured on this film. All movie-acting should be like this.
If I feel the finished product is what the director intended it to be, I give a film a high rating whether I personally enjoyed the viewing experience or not. Regarding LAURA I enjoyed the viewing of it but the score makes me wretch. I despise every note. Patrick Juvet must have become tone deaf by the time he scored it.