Review of Fanny

Fanny (1961)
7/10
Long, Leisurely Soap Opera Leavened by a Superior Cast and Beautiful Camera-work
6 February 2009
Ending a decade-long string of gamine roles that started with her propitious debut as Gene Kelly's unattainable object of desire in Vincente Minnelli's "An American in Paris", Leslie Caron plays the title role, a poor 18-year-old Marseilles girl who helps her fortune-hunting mother sell fish on their boat stall on the waterfront. Even though she was thirty in real life, Caron is genuinely affecting in conveying the character's youthful vigor and romantic yearning. Directed by Joshua Logan ("Picnic") in his familiar overwrought manner, the time-spanning 1961 drama is really an intimate story that suffers somewhat from overly deliberate pacing and excessive length (it's 134 minutes long). Offsetting those flaws some lighthearted comic touches mainly in the first half, a sterling cast, and Jack Cardiff's ("Black Narcissus") vibrant, often painterly cinematography which brings a lustrous glow to the seaside setting.

Adapted by Julius J. Epstein ("Casablanca") from Marcel Pagnol's famous Gallic trilogy, the story revolves around Fanny's pining for her lifelong love, Marius, the hot-tempered son of waterfront café owner Cesar. While he obviously loves Fanny, Marius has a greater passion to escape his humdrum life to become a seaman. He gets his golden opportunity when a scientific research vessel docks in Marseilles, and he can sign on for a five-year hitch. On the night before he leaves and with Fanny's mother away, they share a night of unbridled passion. Truly conflicted about his feelings for her, Marius leaves but only after Fanny tells him that she will marry the sixtyish Panisse, a lonely sailmaker who constantly locks horns with Cesar. The rest of the soap opera plot plays out the way you would think and eventually skips a decade to find that choices made are not as final as they seem.

The movie is simply beautiful to look at, and even though Logan and Cardiff tend to rely on extreme close-ups for dramatic emphasis, the story is engaging. Despite the fact that she is playing a teenager for most of the film, Caron shows how she has truly evolved as an actress since her plucked-from-obscurity MGM debut. Fresh from his memorable role as a Mexican gunman in "The Magnificent Seven", German actor Horst Buchholz smolders appropriately as Marius although his character inevitably becomes more unsympathetic as the story unfolds. The scene stealers are Charles Boyer as Cesar and Maurice Chevalier as Panisse, both peaking in late-career roles that suit their distinctive personalities. This was the least known to me of the five 1961 Best Picture nominees (the others were "The Guns of Navarone", "The Hustler", "Judgment at Nuremberg" and the runaway winner, "West Side Story") – but is a Gallic-flavored gem well worth viewing now that it has been released on DVD. The 2008 package only includes as an extra a long trailer featuring Chevalier and Boyer and a separate CD of the film's soundtrack penned by Broadway composer Harold Rome.
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