Second film in the Egg-Milk-Honey trilogy, whose main theme is the relationship between mother and son on the background of changing Turkish society, the generational and rural-urban conflicts. The symbolism of the film is mind-motivating but not incomprehensible, the camera is exquisite and sound underscores the atmosphere of the film. Süt is probably cinematographically more mature than Yumurta. Semih Kaplanoglu proves again that he is a very promising director with a defined auteur style. Basak Koklukaya gives a standard performance while the young actor, Melih Selcuk, presents a very good and for his debut film a mature screen presence - another big talent found by Kaplanoglu (Johnnie To, member of the 65th Venice Film Festival jury, listed Selcuk as one of his two main candidates for the best actor award). After watching Süt, the feeling that was steadily growing inside will not let you rest and the film will continue to resonate inside of your soul for days to come. Selected for the 65th Venice Film Festival Main Competition as the first Turkish film in 17 years, this film is yet another proof of how long a way Turkish cinema has walked from merely 15 years ago until now and how many promising Turkish artists the future might uncover for us.
