Whilst watching Honey I Shrunk The Kids on DVD, it occurred to me how much things have changed in the last twenty years: records and typewriters, which feature in the film's opening animated credits, no longer exist ('what are they?', asked my bemused 7-year-old daughter); spectacles have got a lot smaller (the one's sported by the youngest kid in this film are enormous!); computers are now everyday household appliancesnot just the play-things of crazy inventors; telephones are a lot easier to use now they don't have cords; Rick Moranis is no longer a box-office draw; and special effects look a whole lot different now we have CGI (not necessarily better, just different).
One thing that hasn't changed, though, is this film's ability to entertain: Joe Johnston's directorial debut is just as enjoyable today as it was when I first saw it two decades ago.
Rick Moranis stars as crazy inventor Wayne Szalinski, whose latest creation, a miniaturisation ray, has one major teething problem: it tends to make things explode. After the machine is whacked by a stray baseball, it finally begins to function correctly, but accidentally shrinks Wayne's children, pretty blonde teen Amy (Amy O'Neill) and chip-off-the-old-block younger son Nick (Robert Oliveri), plus Russ and Ron, the neighbours' sons, to microscopic size. Oblivious to the fact that his machine is now working, and that it has miniaturised his kids, Wayne destroys his machine, sweeps up the pieces (scooping up the four tiny children in the process) and takes the trash to the bottom of the yard.
Now, if they are to have any chance of being returned to normal size, Amy, Nick, Russ and Ron must make a dangerous trek through their yard, facing a variety of dangers on the way.
Utilising detailed oversize props and sets, plus an impressive (for the time) combination of blue screen technology, matte paintings, and stop-motion animation effects, director Johnston creates a string of spectacular set-pieces that sees the children being bombarded by giant water droplets from the garden sprinkler, taking a flight on the back of a bee, being attacked by a scorpion, and befriending a baby ant. Johnston's younger cast members all give credible performances, whilst Moranis does what he does best: acts nerdy and looks worried a lot.
Of course, this being a Disney movie, there is the obligatory happy ending, which sees Wayne finally perfecting his invention and returning the kids to full size. And this being a Disney film, everyone involved learns a valuable lesson in how to get along with others, despite their differences. Which is nice.
One thing that hasn't changed, though, is this film's ability to entertain: Joe Johnston's directorial debut is just as enjoyable today as it was when I first saw it two decades ago.
Rick Moranis stars as crazy inventor Wayne Szalinski, whose latest creation, a miniaturisation ray, has one major teething problem: it tends to make things explode. After the machine is whacked by a stray baseball, it finally begins to function correctly, but accidentally shrinks Wayne's children, pretty blonde teen Amy (Amy O'Neill) and chip-off-the-old-block younger son Nick (Robert Oliveri), plus Russ and Ron, the neighbours' sons, to microscopic size. Oblivious to the fact that his machine is now working, and that it has miniaturised his kids, Wayne destroys his machine, sweeps up the pieces (scooping up the four tiny children in the process) and takes the trash to the bottom of the yard.
Now, if they are to have any chance of being returned to normal size, Amy, Nick, Russ and Ron must make a dangerous trek through their yard, facing a variety of dangers on the way.
Utilising detailed oversize props and sets, plus an impressive (for the time) combination of blue screen technology, matte paintings, and stop-motion animation effects, director Johnston creates a string of spectacular set-pieces that sees the children being bombarded by giant water droplets from the garden sprinkler, taking a flight on the back of a bee, being attacked by a scorpion, and befriending a baby ant. Johnston's younger cast members all give credible performances, whilst Moranis does what he does best: acts nerdy and looks worried a lot.
Of course, this being a Disney movie, there is the obligatory happy ending, which sees Wayne finally perfecting his invention and returning the kids to full size. And this being a Disney film, everyone involved learns a valuable lesson in how to get along with others, despite their differences. Which is nice.