Greetings again from the darkness. Having not read Sue Monk Kidd's novel, I was expecting a sappy, soulless, chick flick that would have me rolling my eyes for a couple of hours. Instead, director Gina Prince-Bythewood (Love & Basketball) delivers a very engaging film with a message and some very strong performances.
Dakota Fanning plays Lily, who accidentally killed her mother at four, and has since lived with her white trash, redneck despicable father (Paul Bettany). Lily and her nanny Rosaleen (Jennifer Hudson) runoff to some small town dot on a map thanks to a clue Lily's mom left on one of her few remaining personal items. They arrive at the home/business of August, June and May Boatright (Queen Latifah, Alicia Keys and Sopie Okonedo) who harvest and bottle the best honey in town. What follows is a smörgåsbord of odd family life that slowly gives hope to young Lily.
Based in 1964, the film dips its toe into the Civil Rights Act and the ongoing racism of the south, but focuses more on the strength of love and family ... even in a Pepto Bismol home! The performances are all very strong but three standouts are Dakota Fanning, Paul Bettany and Sophie Okonedo.
Ms. Fanning is now 14 years old and she delivers a remarkable performance ... and what feels like the first where her screaming skills aren't overused (War of the Worlds, Man on Fire). She strikes me as a young Jodie Foster ... one who has just transitioned from child actor to real actress. I can't wait to see where her career takes her. Mr. Bettany is such a shock here as he typically plays a well dressed, under-spoken Brit (which is what he is in real life!). As a southern redneck whose bitterness rages against the world, he not only pulls it off, but manages to make grits seem even worse than I previously thought. Ms. Okonedo (so amazing in Hotel Rwanda) pulls off the always difficult task of making a "special" adult seem very real and vital. A most touching performance from a top notch talent.
This is a good story with strong performances, though to take the next step as a film, it needed to dig a little deeper into its wide range of characters and settings. Still, definitely worth seeing.
Dakota Fanning plays Lily, who accidentally killed her mother at four, and has since lived with her white trash, redneck despicable father (Paul Bettany). Lily and her nanny Rosaleen (Jennifer Hudson) runoff to some small town dot on a map thanks to a clue Lily's mom left on one of her few remaining personal items. They arrive at the home/business of August, June and May Boatright (Queen Latifah, Alicia Keys and Sopie Okonedo) who harvest and bottle the best honey in town. What follows is a smörgåsbord of odd family life that slowly gives hope to young Lily.
Based in 1964, the film dips its toe into the Civil Rights Act and the ongoing racism of the south, but focuses more on the strength of love and family ... even in a Pepto Bismol home! The performances are all very strong but three standouts are Dakota Fanning, Paul Bettany and Sophie Okonedo.
Ms. Fanning is now 14 years old and she delivers a remarkable performance ... and what feels like the first where her screaming skills aren't overused (War of the Worlds, Man on Fire). She strikes me as a young Jodie Foster ... one who has just transitioned from child actor to real actress. I can't wait to see where her career takes her. Mr. Bettany is such a shock here as he typically plays a well dressed, under-spoken Brit (which is what he is in real life!). As a southern redneck whose bitterness rages against the world, he not only pulls it off, but manages to make grits seem even worse than I previously thought. Ms. Okonedo (so amazing in Hotel Rwanda) pulls off the always difficult task of making a "special" adult seem very real and vital. A most touching performance from a top notch talent.
This is a good story with strong performances, though to take the next step as a film, it needed to dig a little deeper into its wide range of characters and settings. Still, definitely worth seeing.