4/10
Extremely poor showing from Brian Yuzna
19 October 2008
I'd heard nothing but bad things about this film; but decided to track it down anyway simply because it has so much promise. For a start it was directed by Brian Yuzna' part of the creative genius behind Re-Animator and director of horror masterpieces Society and Return of the Living Dead 3; and secondly, the plot; which is based on a book by Matthew Costello, sounded like a great base for a horror movie. I figured that with these two elements in place, things couldn't possibly be as bad as I'd heard. Well...to say things went wrong would be an understatement. The plot focuses on a Spanish village named Marienbad; a place where the locals are gradually succumbing to a Satanic cult lead by a man named Mordecai Salas. Someone or other has hatched a plan involving building a dam to flood the town and it's inhabitants; but the plan fails when a couple of no good kids end up freeing the cult leader before the town is engulfed in water. Fast forward forty years and the village of Desbaria stands in its place; though the cult leader is waiting for his revenge.

The film gets off to a really good start as we watch a couple of kids traverse across a flooded town and into a brilliantly realised Satanic church where they are greeted by a group of bewitched locals. But once this is over and we move into the present day, things start to go downhill. The main problem with the film is that it's a mess. There are a handful of good ideas but they haven't been put together coherently which takes most of the credibility away from the film. The film also feels very cheap; the poor acting doesn't help in this respect, and neither does the turgid script which is littered with trite lines of dialogue. The film does feature some nice locations, which is nice, but that's really the only good thing I have to say about it. Anyone who has seen more than a few Brian Yuzna films will know that the director likes to let things descend into chaos so he can show a wave of graphic images; and that happens here, but it's not as good as it was in the likes of Society and really just caps off a very disappointing effort. I wouldn't hesitate to name this as Yuzna's worst alongside Faust: Love of the Damned, and only hardcore fans need apply.
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