Randolph Carter(Mark Kinsey Stephenson)decides to pursue the she-beast which attacked and killed some of his college chums. Eliot(Charles Klausmeyer), haunted by nightmares of the beast's hideous face, survived the incident with nasty gashes on his chest and reluctantly joins Carter in his search for it. Seeking guidance from an authoritative figure he can trust and respect, Carter goes to Professor Warren(John Rhys-Davies, a delightful presence)whose field of expertise in in ancient history, among other things. On an expedition where the beast was seen nearby, Carter, Eliot & Warren find the entrance to an underground tunnel in an ancient graveyard which leads to the "prison" of the she-beast, whose caught in a thicket of heavy sticks and tree-branches. Having found the Necronomicon in Winthrope's home, Carter and Warren discover that the she-beast is actually Winthrope's beautiful daughter, Alyda(Maria Ford)"invaded" by the demonic spirit of an evil winged creature. Warren concocts a successful plan to release Alyda of the evil creature by using insulin tricking the monster into believing that the human host was dying. The spirit fleeing Alyda, she is awakened to a brand new world..but, the demonic winged creature, with sharp fingernails that rip human flesh easily, wishes to retrieve it's host and will kill anyone who stands in her way. After Warren discovers too late that the creature has remained in the tunnel, Carter and Eliot will attempt to find Alyda help(..she was kept in an attic during her young life and only knows the "Cthulu" language taught to her by pops)while staying one step ahead of danger. Unfortunately, students of Miskatonic University and Arkham County's finest will not be so lucky as the demonic winged creature goes on a killing spree ripping the throats of everyone it comes in contact with. The creature seems impervious to the bullets fired from guns as it pursues Alyda with an intense will. What will Carter do to help keep Alyda safe from harm? Can he stop the beast from "infiltrating" the body of Alyda once again?
Inspired by the works of Lovecraft, like a lot of horror films coming out in the late 80's and early 90's, "The Unnamable II" is more of a monster movie. The demonic creature's rampage is not as gory as I would've liked with a great many of the murders occurring off-screen. Too bad. But, substituting those potential thrills is Maria Ford practically naked under long hair(..which amazingly keeps her breasts hidden)for nearly the entire film, only wearing a gown when a female student pal of Carter's influences her into putting it on by disrobing. The love that strengthens between Carter and Alyda is rather sweet and Ford is adorable and convincing as a newborn pup introduced to a new world she's never known. The creature itself is none other than sex siren Julie Strain, unrecognizable under the scary make-up and costume. While there's little actual violence shown, you are treated to the creature's hand going through a man's chest. And, there is some fantastic make-up grue displaying ripped necks. Stephenson as the nerdy intellectual with craziness and chaos all around him, wisely plays his character completely straight, displaying a calm and reserve needed by the leader in charge of keeping Alyda from danger. David Warner is rather wasted in a cameo as Miskatonic University's Chancellor who warns Carter to not pursue the creature. Most of the other characters are fodder for the beast to destroy. Spirited direction from Jean-Paul Ouellette(..this is definitely an improvement over the first film which is more of a slasher flick), a nifty creature with cool wings, and a likable cast really enhance what could've just been yet another Lovecraft "adaptation" that missed the mark. The climax takes place in the Miskatonic library as Carter and Alyda have ran out of places to hide, discovering the missing pages of the Necronomicon within a secret room of books thanks to an air conditioning duct. The use of a wooden chair in battling the demonic creature when attempting to invade Alyda's body is kind of neat. Truth be told, though, my favorite scene would have to be when Alyda discovers a bed and is caressing her naked body throughout it..Ford's sensuality, even while portraying an innocent, is very present.
Inspired by the works of Lovecraft, like a lot of horror films coming out in the late 80's and early 90's, "The Unnamable II" is more of a monster movie. The demonic creature's rampage is not as gory as I would've liked with a great many of the murders occurring off-screen. Too bad. But, substituting those potential thrills is Maria Ford practically naked under long hair(..which amazingly keeps her breasts hidden)for nearly the entire film, only wearing a gown when a female student pal of Carter's influences her into putting it on by disrobing. The love that strengthens between Carter and Alyda is rather sweet and Ford is adorable and convincing as a newborn pup introduced to a new world she's never known. The creature itself is none other than sex siren Julie Strain, unrecognizable under the scary make-up and costume. While there's little actual violence shown, you are treated to the creature's hand going through a man's chest. And, there is some fantastic make-up grue displaying ripped necks. Stephenson as the nerdy intellectual with craziness and chaos all around him, wisely plays his character completely straight, displaying a calm and reserve needed by the leader in charge of keeping Alyda from danger. David Warner is rather wasted in a cameo as Miskatonic University's Chancellor who warns Carter to not pursue the creature. Most of the other characters are fodder for the beast to destroy. Spirited direction from Jean-Paul Ouellette(..this is definitely an improvement over the first film which is more of a slasher flick), a nifty creature with cool wings, and a likable cast really enhance what could've just been yet another Lovecraft "adaptation" that missed the mark. The climax takes place in the Miskatonic library as Carter and Alyda have ran out of places to hide, discovering the missing pages of the Necronomicon within a secret room of books thanks to an air conditioning duct. The use of a wooden chair in battling the demonic creature when attempting to invade Alyda's body is kind of neat. Truth be told, though, my favorite scene would have to be when Alyda discovers a bed and is caressing her naked body throughout it..Ford's sensuality, even while portraying an innocent, is very present.