3/10
A look inside the addled mind of Alan Moore
1 September 2008
Basically all this film manages to do is prove how superior Alan Moore feels to everyone. Early in the movie he comments about his already huge ego as a 17 year old, and it seems that balloon has continued to become over-inflated throughout the intervening years.

Moore does go into some detail about his childhood and how horribly bleak the world around him was - how he was saved by comic books and set about to write comics of his own. Interesting, but really of no value to anyone wanting to know 'how he did it'.

The entire second half of the movie is Moore waxing poetic about magic, how he is a magician, how science knows and can prove nothing, and how much better his own ways are. He even goes so far as to quote a few others who he believes are "in the know" and then either overtly takes credit for their ideas or usurps them into a twisted notion he claims is his answer to life the universe and so on.

Essentially, Moore seems to be trying to set himself up as a latter-day Alistair Crowley, rather unsuccessfully. As he goes on about his theories of meta-physics, pseudo-science, amateur psychology and spiritualism, it becomes quickly apparent that Moore not only wants, but craves attention - strange for a man who claims early in the film to have no use for his own celebrity.

When I watched this film I thought I would get a look at how Moore created such amazing tales as V for Vendetta, From Hell, The Watchmen and others - instead, it just left me wondering how the poor fellow could have become so deluded about the world and his place in it.

It will not surprise me to hear Moore has attempted to start his own cult, I just seriously doubt many people will be lining up to hear his brand of new-age meta-physical strangeness.

He should have just stuck to comics...
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