4/10
Imitation Documentary/Imitation War Movie
30 July 2008
In this review I will attempt to keep my personal political views out of it as much as possible. It's obvious to anyone who knows about the film that it is heavily political and expresses a strong anti-war and anti-US sentiment. Although this sort of thing is nothing new as films like Platoon and Casualties of War have expressed strong political sentiments about another unpopular war – especially anti-American sentiments, the subject matter of this film sets it apart from those and other war films as the events depicted are supposed to be based on real events that took place in Haditha one tragic day in November of 2005 where 15 non combatants were allegedly killed by Marines in retaliation for a marine being killed in a roadside bomb. In the media the event is called "the Haditha Killings" or the "the Haditha Massacre". Although made to look like a documentary the film is equal parts fact, rumor, speculation and outright fiction. The writer/director Nick Broomfield is famous for his documentaries such as "Aileen: Life and Death of a Serial Killer" documenting the life, trial and execution of female serial killer Aileen Wuornos. I've always enjoyed Broomfield's documentaries and the way he breaths humanity into his larger-than-life subjects, especially "Aileen . . ." for its unflinching look at an obviously insane woman and the equally insane justice system that is about to execute her. But because of its documentary style, there is a certain amount of dishonesty in "The Battle for Haditha" that I find difficult to accept.

The film starts off with Marines driving around listening to heavy metal, and then goes into a sequence of 'interviews' in the style of Full Metal Jacket on what the soldiers think of the conflict. It is unanimous that the soldiers don't want to be there, and don't understand why they are fighting. Their training is portrayed as extremely brutal, and meant to encourage violence. "Kill kill kill!" is chanted many times. One soldier shows another soldier a war wound that he says could have gotten him discharged with 10% pay, but decided to remain in the service so that he could collect his full pay, even though he apparently hates the war and feels his country is neglecting him. I don't understand this logic; why would one risk their life for low pay in a conflict they didn't believe in for a country they resented, rather than simply take an out when it is offered and go get a job in the civilian world? Even a low paying job you don't like would be better than a low paying one that you don't like that is incredibly dangerous.

The most interesting part of the film is the portrayal of the Iraqis. While the Marines are demonized, and so to are the "foreign Al-Qaeda fighters", the Iraqis on the other hand are played as innocent victims. We're introduced to a young Iraqi insurgent who by day runs a video store that sells DVDs to US soldiers while leading a double life where together with his uncle (a disgruntled former Iraqi soldier) he smuggles weapons and plants roadside bombs. The uncle is "pissed off" by checkpoints, war and the damaged infrastructure of Haditha left by the 2003 invasion. Most of all though he seems angry that when the US disbanded the Iraqi army all he was given was fifty US dollars for his years of service. And so instead he decides to work for another group of foreigners who'll pay him one thousand dollars every time he successfully blows up an American vehicle with a primitive IED. The other characters we're introduced to are a young couple and their child who are on neither side, and are simply trying to live their lives as best they can in the midst of war and chaos. They see the insurgents planting a bomb, but instead of warning the Americans, they tell their Sheik, who tells them to pray. They are afraid that if they tell the Americans what the insurgents are planning that they will be targeted and executed by the insurgents.

Ultimately the morality of this film portrays the Americans not only as 'shoot first, ask questions later' types but also as plain bloodthirsty. They march and chant "kill kill kill" they sit in their bunks plotting vengeance, they're rude to the Iraqis whose country they have invaded, they don't understand or care about the cause they are fighting for and they blare heavy metal music everywhere they go. In reality American patrols spend far more time handing out food, water, medical supplies and gifts to the Iraqis than they do shooting at anyone. I'm not saying there aren't tragedies happening, and that there aren't soldiers getting out of line, but these are the exceptions. This film tries to portray the exceptions as the rule while ignoring the fact that insurgents routinely and as a matter of policy target civilians in market places and funeral processions. The worst part of this film though is that the tragedy that took place in Haditha is still under investigation, it is only a few years since blood was spilled there. This film presents an explanation and a verdict before the smoke has even cleared, and it stirs up sentiment that will not help end the conflict in Iraq. Even if there is a full US withdrawal from Iraq, the insurgents will still be there. If the US leaves Iraq in the state it is in right now, would the Iraqi people be better off living under a group that routinely slaughters innocent men, women and children as a matter of policy? Not dealing with these kinds of questions is an injustice to everyone involved in the Iraqi conflict. It is compounded by the fact that it is shot in a documentary style in an attempt to present itself as the truth when it is simply, like any other dramatic film: just one point of view.
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