Fritz Lang, playing himself, is set to direct a more commercial adaptation of Homer's "Odyssey". Jeremy Prokosch (Jack Palance), the producer, despises art films and hires screenwriter Paul Javal (Michel Piccoli) to help Lang commercialize the movie. Javal 'offers' his young wife, Camille (Brigitte Bardot, sexier than ever, in one of her few serious roles), to Prokosch, thinking he'll get a better payment. But he didn't know that would sparkle Camille's contempt and ruin their marriage.
"Le Mépris" aka "Contempt" is Godard's existentialist, provocative essay of the relationships between artistic and commercial cinema, man and woman/husband and wife (he was married to his then-muse Anna Karina, with whom he made some of his best films; after their divorce in 1967, he married Anne Wiazemsky, with whom he made "La Chinoise", "Week End" and others). Gorgeously photographed by Raoul Coutard and scored by the master Georges Delerue, and with some "influences" of Antonioni's trilogy (L'Avventura, La Notte and L'Eclisse), "Le Mépris" is not my favourite Godard, but it's certainly a vigorous film. 9/10.
"Le Mépris" aka "Contempt" is Godard's existentialist, provocative essay of the relationships between artistic and commercial cinema, man and woman/husband and wife (he was married to his then-muse Anna Karina, with whom he made some of his best films; after their divorce in 1967, he married Anne Wiazemsky, with whom he made "La Chinoise", "Week End" and others). Gorgeously photographed by Raoul Coutard and scored by the master Georges Delerue, and with some "influences" of Antonioni's trilogy (L'Avventura, La Notte and L'Eclisse), "Le Mépris" is not my favourite Godard, but it's certainly a vigorous film. 9/10.