Based on the 1998 Los Angeles production, this show ran for over 100 performances on Broadway.
Primarily a love-fest for Sondheim fans, this review was a big hit. From the authoritative baritone of George Hearn to the camp antics of Bronson Pinchot it's great fun.
There are many somewhat unusual numbers included amongst the justly famous ones. The opening number (Invocations and Instructions to the audience) comes from The Frogs, four of the five songs in the film 'Dick Tracy' are included, and a couple of numbers cut from 'A Little Night Music' are also present. Sondheim addicts will doubtless get great enjoyment from identifying what comes from where, so I won't go on. (It took me a while to get them all - my DVD does not have a listing!)
Carol Burnett is hilarious in 'Getting Married Today' and dramatically convincing in 'The Ladies who Lunch'. John Barrowman's stunning looks and equally stunning voice is put to good use in such numbers as 'Bang' a duet with the glorious Ruthie Henshall and 'Marry Me a Little'. Bronson Pinchot is a narrative link between scenes, and has his own moment of glory in 'Buddy's Blues', one of those tongue twisting numbers Sondheim revels in, executed with great panache.
The binding force in all this is, of course, George Hearn. Whether in solos, duets or just on stage listening (for example to Carol Burnett in 'Could I Leave You?' ) his presence is commanding and supportive.
There is not one part of this show that is less than totally enjoyable. All the extremely talented artists are having fun, and so are the audience. Join in.
Primarily a love-fest for Sondheim fans, this review was a big hit. From the authoritative baritone of George Hearn to the camp antics of Bronson Pinchot it's great fun.
There are many somewhat unusual numbers included amongst the justly famous ones. The opening number (Invocations and Instructions to the audience) comes from The Frogs, four of the five songs in the film 'Dick Tracy' are included, and a couple of numbers cut from 'A Little Night Music' are also present. Sondheim addicts will doubtless get great enjoyment from identifying what comes from where, so I won't go on. (It took me a while to get them all - my DVD does not have a listing!)
Carol Burnett is hilarious in 'Getting Married Today' and dramatically convincing in 'The Ladies who Lunch'. John Barrowman's stunning looks and equally stunning voice is put to good use in such numbers as 'Bang' a duet with the glorious Ruthie Henshall and 'Marry Me a Little'. Bronson Pinchot is a narrative link between scenes, and has his own moment of glory in 'Buddy's Blues', one of those tongue twisting numbers Sondheim revels in, executed with great panache.
The binding force in all this is, of course, George Hearn. Whether in solos, duets or just on stage listening (for example to Carol Burnett in 'Could I Leave You?' ) his presence is commanding and supportive.
There is not one part of this show that is less than totally enjoyable. All the extremely talented artists are having fun, and so are the audience. Join in.