My first Ichikawa in many years, and the first of his war films that I've seen, this was gripping and brutal from the very get-go. In the very first scene, nominal hero Tamura is told that he can't continue on with his unit, to which he has returned from the hospital. He apparently has TB but he is not sick enough for the hospital to take him given the quantity of war-wounded they have. But his old unit won't take him back either; his CO gives him a grenade, and tells him that if he feels truly hopeless to blow himself up
it's the honorable thing to do.
The Phillipines, 1945, and the situation really does seem hopeless, for PFC Tamura and everyone else. Nobi is an odyssey through hell, or rather hells denuded forests, dead rocky plains, and the dead and dying Japanese soldiers hoping just for an end, through peace or death. Ichikawa's film is photographed in stunning B&W scope which serves to highlight both the desolation felt by Tamura and those he meets on his journey towards his doom, and to show how truly small and naked they all are amidst the immensity of the mountains and the forests .this small affair of humans will end soon, the earth seems to be saying, but I will survive and barely notice it.
Tamura travels back towards the hospital, but is (not surprisingly) rejected there, and spends the rest of the film trying to stay alive, stay human, and get out of danger. He doesn't manage to do very well on any account, slowly starving and eventually committing some fairly repellent acts. Eventually he hooks up with two other desperate men who have lost, or survived their units, and have resorted to cannibalism and in his weakened state facing other armed men, finds that the only way to live is to break with everything that he believes in.
Ichikawa's film is as brutal, uncompromising and intense as any war film I've seen. There are moments of humor and tenderness, but they are fleeting and don't stick in the memory such as the scene with the man on the mountaintop who practically begs Tamura to eat his flesh the recurring black-comic bit with Tamura exchanging his ragged shoes for the better leathers of a fallen comrade .the degradations that humans will endure to survive .the truth that this is any war, all wars, all mankind as long as we continue thus. A masterpiece that I probably won't watch again for a long, long time. Watched via the beautiful Criterion Collection DVD.
The Phillipines, 1945, and the situation really does seem hopeless, for PFC Tamura and everyone else. Nobi is an odyssey through hell, or rather hells denuded forests, dead rocky plains, and the dead and dying Japanese soldiers hoping just for an end, through peace or death. Ichikawa's film is photographed in stunning B&W scope which serves to highlight both the desolation felt by Tamura and those he meets on his journey towards his doom, and to show how truly small and naked they all are amidst the immensity of the mountains and the forests .this small affair of humans will end soon, the earth seems to be saying, but I will survive and barely notice it.
Tamura travels back towards the hospital, but is (not surprisingly) rejected there, and spends the rest of the film trying to stay alive, stay human, and get out of danger. He doesn't manage to do very well on any account, slowly starving and eventually committing some fairly repellent acts. Eventually he hooks up with two other desperate men who have lost, or survived their units, and have resorted to cannibalism and in his weakened state facing other armed men, finds that the only way to live is to break with everything that he believes in.
Ichikawa's film is as brutal, uncompromising and intense as any war film I've seen. There are moments of humor and tenderness, but they are fleeting and don't stick in the memory such as the scene with the man on the mountaintop who practically begs Tamura to eat his flesh the recurring black-comic bit with Tamura exchanging his ragged shoes for the better leathers of a fallen comrade .the degradations that humans will endure to survive .the truth that this is any war, all wars, all mankind as long as we continue thus. A masterpiece that I probably won't watch again for a long, long time. Watched via the beautiful Criterion Collection DVD.