The style and direction of the movie reminded me of the later British Hitchcock films as well as some of the Sherlock Holmes flicks of the 1930's and '40's, even though this German movie was made in 1961. The quality of the print I viewed also seemed to place it as an older film by a couple of decades, but in that regard it added to the atmosphere of the story. I'm not familiar with the prior Mabuse films as most of the other posters on this board are, so my review isn't influenced by those other works.
Of course the mystery lies in the identity of the title character, regularly mentioned but never seen, with hints of his previous demise and possible after life as a ghost of some sort. The voice of Mabuse makes contact at various times with Inspector Lohmann (Gert Frobe) and a mysterious contact who could be an undercover policeman or a mob contact from a Chicago based syndicate. It's not enough that Lex Barker goes by Joe Como and Nick Scappio, but later takes on a third guise as Bob Arco. I thought Mabuse figured out his identity just a little too easily with the Maria hostage ruse; I would have thought the character would be more wary of a trick like that.
I was a bit surprised to see that gruesome flamethrower death scene near the beginning of the story, particularly involving a woman. When a similar apparatus appeared later on with Maria (Dahlia Lavi) as a target I caught myself wincing a bit. I would have hated to see her go out like that.
The story takes enough twists and turns to make it rather hard to follow as it nears the finale, and the payoff as to the identity of Mabuse came off as a downer actually since he wasn't a character introduced earlier in the story. There was enough mis-direction in the picture to suggest Mabuse as any number of people like Warden Wolf, the creepy Bohmler, or even Maria's father the Professor. Come to think of it, the Professor said he WAS Mabuse, and you kept watching for that to play itself out to no avail. So having Mabuse show up as someone else altogether was a bit of a disconnect for me. I did come away though wondering, as did Lohmann, that perhaps Mabuse found a way to escape his fate in a way that Sherlock Holmes' nemesis Professor Moriarty managed to do on more than one occasion.
Of course the mystery lies in the identity of the title character, regularly mentioned but never seen, with hints of his previous demise and possible after life as a ghost of some sort. The voice of Mabuse makes contact at various times with Inspector Lohmann (Gert Frobe) and a mysterious contact who could be an undercover policeman or a mob contact from a Chicago based syndicate. It's not enough that Lex Barker goes by Joe Como and Nick Scappio, but later takes on a third guise as Bob Arco. I thought Mabuse figured out his identity just a little too easily with the Maria hostage ruse; I would have thought the character would be more wary of a trick like that.
I was a bit surprised to see that gruesome flamethrower death scene near the beginning of the story, particularly involving a woman. When a similar apparatus appeared later on with Maria (Dahlia Lavi) as a target I caught myself wincing a bit. I would have hated to see her go out like that.
The story takes enough twists and turns to make it rather hard to follow as it nears the finale, and the payoff as to the identity of Mabuse came off as a downer actually since he wasn't a character introduced earlier in the story. There was enough mis-direction in the picture to suggest Mabuse as any number of people like Warden Wolf, the creepy Bohmler, or even Maria's father the Professor. Come to think of it, the Professor said he WAS Mabuse, and you kept watching for that to play itself out to no avail. So having Mabuse show up as someone else altogether was a bit of a disconnect for me. I did come away though wondering, as did Lohmann, that perhaps Mabuse found a way to escape his fate in a way that Sherlock Holmes' nemesis Professor Moriarty managed to do on more than one occasion.