I want my $1.83 rental fee back. However ....
I write novels, I've worked on productions. Anyone involved in writing or production can learn from this disaster.
First, the palm trees. Not only are the palms fake, but the crew uses the same fake palms in scene after scene.
Second, the locations. Travel the Middle East, study the cinder block construction, the roads, the curbs, the streetlights, the power poles. Take thousands of photos. A better idea would be to stage the action in the night. In this way, a production crew could create a more realistic background for the action.
Third, interview veterans of Iraq. How often did they actually see an enemy? In this production, insurgents attack en masse every other minute.
All the field details: the soldiers standing in groups to deliver dramatic dialog, walking and talking in the middle of the road, taking cover behind bushes? behind the glass and sheet metal of a car? A 7.62mmComBloc slug will punch through all the steel of a car and kill you. And the truck taking repeated hits from RPG's? The RPG's exploding in a ball of rising fire? Do the Iraqis load their RPG's with gasoline? And taking a wounded American to an Iraqi hospital? Who thought of that stupidity? Medevac in Iraq is 15 minutes from wound to surgery. Iraqis don't even have disposable needles. They don't have sutures. They don't have antibiotics.
And a knife-fight to the death with an assault force of Iraqis? They hear the Americans firing pistols, then go silent? 'Oh, they're out of ammunition, let's let them knife us.' And after the climatic knife-fight, the soldiers take to the road with empty weapons? Who financed this trash? Send me money. I'll buy the stories of veterans, put together a righteous action-adventure drama.
ghfrost google that name
I write novels, I've worked on productions. Anyone involved in writing or production can learn from this disaster.
First, the palm trees. Not only are the palms fake, but the crew uses the same fake palms in scene after scene.
Second, the locations. Travel the Middle East, study the cinder block construction, the roads, the curbs, the streetlights, the power poles. Take thousands of photos. A better idea would be to stage the action in the night. In this way, a production crew could create a more realistic background for the action.
Third, interview veterans of Iraq. How often did they actually see an enemy? In this production, insurgents attack en masse every other minute.
All the field details: the soldiers standing in groups to deliver dramatic dialog, walking and talking in the middle of the road, taking cover behind bushes? behind the glass and sheet metal of a car? A 7.62mmComBloc slug will punch through all the steel of a car and kill you. And the truck taking repeated hits from RPG's? The RPG's exploding in a ball of rising fire? Do the Iraqis load their RPG's with gasoline? And taking a wounded American to an Iraqi hospital? Who thought of that stupidity? Medevac in Iraq is 15 minutes from wound to surgery. Iraqis don't even have disposable needles. They don't have sutures. They don't have antibiotics.
And a knife-fight to the death with an assault force of Iraqis? They hear the Americans firing pistols, then go silent? 'Oh, they're out of ammunition, let's let them knife us.' And after the climatic knife-fight, the soldiers take to the road with empty weapons? Who financed this trash? Send me money. I'll buy the stories of veterans, put together a righteous action-adventure drama.
ghfrost google that name