1/10
Although Full Of Stunts Performed With Zeal, Little Care Is Taken With The Production As A Whole.
11 September 2007
When FBI agent Jeff Douglas (Robert Patrick) journeys by automobile, along with two other operatives from his Los Angeles office, to fictional "La Ropa", Mexico, to assume custody of an American narcotics dealer incarcerated there, there is no cause for him to expect other than completion of a routine assignment, while looking ahead to a pleasantly familial evening at home with his wife and two children. However, the drug boss, whimsically named Ray Manta (Titus Welliver), is forcefully removed from the clutches of The Law by a large cluster of motorcycle riding desperadoes who capture Douglas and kill his two comrades. His life threatened by the daring rescue that has thwarted the Bureau detail, Jeff is impelled to undertake a galling task. After speaking with his wife by telephone, Douglas is promised by the villains that he will be freed if he will feign at ushering Manta toward FBI custody, whereas in actuality he will be delivering the felon to Las Vegas and into the company of the other four ringleaders of a cabal that calls itself The White Hand, and that has gained what amounts to primary control of liquid heroin trafficking within the United States. Jeff eludes his captors and after he has telephonically learned that his entire family has been slain by minions of The White Hand, Douglas commences upon a mission of retribution, his goal to assassinate the five criminal organization kingpins, including Manta. Therefore, the background has been properly established for an interesting tale of heated vengeance. Unfortunately, the narrative is composed for the most part of set pieces that utilize a large contingent of stunt men and demolition experts, to the detriment of the plot line. It seems that gunmen hired by The White Hand are selected largely upon their proved substandard marksmanship, with scene following risible scene depicting a fortunate Douglas being unharmed by numberless rounds fired at close range by numberless thugs, after which he predictably brings down one each per trigger pull. Plainly, if Jeff were in fact gunned down, the film would be at its end, this truth eliminating any possible creation of suspense. Additionally, when a viewer finds himself chortling at what are ostensibly harrowing circumstances for the hero, it becomes obvious that this production suffers from a shortfall of logic. There is scant opportunity for the display of acting chops here, although Patrick gamely tries to create his role, while playing honours go to Welliver for his consistently effective portrayal of a principal member of the Forces of Evil.
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