7/10
Stiles Shines.
13 August 2007
The film editors had to have been on Dramamine. I disliked the shaky camera and the half obscured views. I can understand a partially blocked view if there is a point to it. Like to represent some surreptitious filming but to have the camera view blocked by intervening objects, thus bring to the forefront that the character is being filmed, i.e. that they are actually actors doing a job, seems counterproductive. I would think the goal is to get the audience to forget that they are watching a crafted production and have them suspend disbelief and get involved in the story. The stylized camera work did the opposite. I was constantly reminded that the camera was purposely obscured with blurry objects for no reason but style, like look at this I'm blocking half the shot. Aren't I cleaver? I found it very irritating. This was the weakest of the three Bourne films with the action sequences shot in a way that obscured what was actually happening. I don't like the jittering hand-held camera and extreme close-ups. I think it detracts from the movie. Maybe it makes the cinematography easier since shots don't have to be composed, just move that camera in and most of the filming could be done in a broom closet. "The DaVinci Code" sucked for the some reason. Also the 21st century deus ex machina of computers was abundantly evident. A couple of keystrokes can replace intelligent writing easily plus the computers can be fickle and reveal all if needed while being conspicuously absent when suspense is needed. Matt Damon was good in his role, looking serious and troubled, and he was effective in the fight sequences, as far as I could tell. Joan Allen was very good as an intelligent mature woman, rare to see in the bimbo age of movies. David Strathairn, who I typically like, was too much of a cliché for my tastes. A standout was Julie Stiles. She had this tight lipped intelligent look. You could just see the wheels turning as she analyzed each situation I believed she was an intelligence operative who was trained to keep secrets and revealing very little of what she was feeling. She was great. Albert Finney did a competent job in another clichéd role. It seems that in these movies the idealistic, good people are young and the bastardly, manipulators are all old fogies. I would rate this movie as a weak 7 out of 10 on the basis of the strong performance of Ms. Stiles and Mr. Damon and on the basis of a continued compelling story. The camera work downgraded my rating.
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